{"id":4878,"date":"2017-07-26T07:29:52","date_gmt":"2017-07-26T14:29:52","guid":{"rendered":"http:\/\/pro.harman.com\/insights\/?p=4878"},"modified":"2017-07-21T17:15:59","modified_gmt":"2017-07-22T00:15:59","slug":"three-ways-to-record-live-shows","status":"publish","type":"post","link":"https:\/\/pro.harman.com\/insights\/entertainment\/touring\/three-ways-to-record-live-shows\/","title":{"rendered":"Three Ways to Record Live Shows"},"content":{"rendered":"<p>Every live performance is a unique event, and there are many reasons why artists, producers and managers may want to record them. Knowing whether the recording will be used to review and refine elements of the show, post on social media, produce a live album or for other purposes dictates the appropriate recording method and necessary preparation.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-4885\" src=\"http:\/\/pro.harman.com\/insights\/wp-content\/uploads\/2017\/07\/GettyImages-507062633-e1500571468888.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/p>\n<p>Fortunately, the days of hauling a two-track or multitrack reel-to-reel recorder to a festival, with dust settling on the tape and high temperatures taking a toll on plastic tape reels, are long gone. But, while digital recording has dramatically simplified and improved the live recording process, careful planning is still key to producing a quality product.<\/p>\n<p>As a front of house (FOH) engineer, when asked to record a show, the first thing you should always do is confirm what\u2019s needed and for what purpose. This helps you select the best method to use\u2014a handheld recorder, a two-track recording or a multitrack.<\/p>\n<p>A key consideration is the sound quality of the final product and whether a delivery or content creation file would best serve your client\u2019s needs. A delivery file is a compressed file, like an MP3 or FLAC, that can be easily sent by email or phone to post or review. A content creation file, usually a WAV file, allows the flexibility to later manipulate the sound. When selecting a format, it\u2019s vital to consider how much work it requires and if you\u2019ll be able to manage it while mixing FOH and possibly monitors.<\/p>\n<p><strong><u>Handheld Recorders<\/u><\/strong><\/p>\n<div id=\"attachment_4903\" style=\"width: 210px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4903\" class=\" wp-image-4903\" src=\"http:\/\/pro.harman.com\/insights\/wp-content\/uploads\/2017\/07\/Slide2-1-e1500674834154.jpg\" alt=\"\" width=\"200\" height=\"132\" \/><p id=\"caption-attachment-4903\" class=\"wp-caption-text\">Handheld digital recorder<\/p><\/div>\n<p>Handheld recorders are small, quiet and easy to operate. While mobile phones are often used as basic handheld recorders, there are many models available that are much better equipped for recording shows. While some only produce two-track MP3 files, higher-end products have storage options that can accommodate up to six hours of uncompressed files and six tracks with multiple inputs. Any handheld recorder you use for a show should include a good microphone or an input for an external microphone.<\/p>\n<p>It\u2019s important to find out before the show if the artist wants to capture the entire set or just certain songs, which requires turning the recorder on and off, making sure it starts each time and continues to record. It&#8217;s essential to frequently monitor input levels on a handheld device, especially in a loud club or concert environment.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4881 alignright\" src=\"http:\/\/pro.harman.com\/insights\/wp-content\/uploads\/2017\/07\/JBL-EON-ONE-PRO-Lifestyle_093_UU_4CSWOP.jpg\" alt=\"\" width=\"309\" height=\"223\" srcset=\"https:\/\/hpro-web-assets.s3.amazonaws.com\/insights\/uploads\/2017\/07\/JBL-EON-ONE-PRO-Lifestyle_093_UU_4CSWOP.jpg 800w, https:\/\/hpro-web-assets.s3.amazonaws.com\/insights\/uploads\/2017\/07\/JBL-EON-ONE-PRO-Lifestyle_093_UU_4CSWOP-768x555.jpg 768w\" sizes=\"auto, (max-width: 309px) 100vw, 309px\" \/><\/p>\n<p><strong><u>Two-Track Recording on a Console<\/u><\/strong><\/p>\n<p>Instead of using a handheld recorder, you may opt for a two-track of the PA mix, which can be recorded directly from the mixing console. However, a two-track from your board isn\u2019t necessarily a better option than a high-quality handheld device.<\/p>\n<p>The challenge is that the primary purpose of a console is sound reinforcement, not two-track recording. Depending on the size of the venue and the amount of sound coming off the stage, the PA mix may lack enough guitar, bass and drums, and include an overabundance of vocal and keyboards. In a large venue, with more instrumentation in the PA mix, a feed from the board usually produces a higher quality two-track than in a smaller space.<\/p>\n<p>Another option is setting up a two-track matrix mix that is entirely separate from the FOH mix and routing it to a two-track recorder or a digital audio workstation (DAW). Some modern consoles, like the <a href=\"http:\/\/www.soundcraft.com\/en\/product_families\/ui-series\" target=\"_blank\" rel=\"noopener\">Soundcraft Ui Series<\/a>, can record a two-track WAV or compressed FLAC file directly onto a USB stick.<\/p>\n<p><strong><u>Multitrack Recording<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4882 alignleft\" src=\"http:\/\/pro.harman.com\/insights\/wp-content\/uploads\/2017\/07\/AKG_C7_LifestylePhoto_LiveConcert-e1500571306815.jpg\" alt=\"\" width=\"301\" height=\"201\" \/><\/u><\/strong><\/p>\n<p>A multitrack recording provides the maximum flexibility to use the tracks and is essential for live albums. It allows you to record everything that happens in the venue, whether it\u2019s integrated into the FOH mix or not. For example, there may be audience and ambient microphones or sound from the drum set that isn\u2019t used for sound reinforcement, but might later be a valuable addition to the mix.<\/p>\n<p>Multitrack recording typically requires having more microphones on stage and possibly in the venue and getting levels for each of them, even if they\u2019re not contributing to the FOH mix. Managing live multitrack recordings usually entails extensive multitasking and continually putting on headphones to monitor the various tracks.<\/p>\n<p>Depending on the number of inputs, there are many ways to record multitracks. Medium and even certain smaller boards now have the ability to record multitrack to USB. For example, <a href=\"http:\/\/www.soundcraft.com\/en\/products\/ui24r\" target=\"_blank\" rel=\"noopener\">Soundcraft Ui24R<\/a> has 22 inputs that go directly to a USB stick without using a computer. The console has 32 busses, so it\u2019s also easy to route all of the inputs and outputs to a workstation and record the various feeds, allowing for maximum access to tracks for subsequent mixes.<\/p>\n<div id=\"attachment_4900\" style=\"width: 253px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4900\" class=\"wp-image-4900\" src=\"http:\/\/pro.harman.com\/insights\/wp-content\/uploads\/2017\/07\/GettyImages-497254232-e1500674119103.jpg\" alt=\"\" width=\"243\" height=\"162\" \/><p id=\"caption-attachment-4900\" class=\"wp-caption-text\">Digital Audio Workstation (DAW) screen<\/p><\/div>\n<p>Larger boards, with lots of inputs, deploy either a Dante feed over a standard Ethernet connection or MADI using a coaxial or optical cable to manage up to 64 tracks and link to multitrack recording systems either on a DAW or a dedicated rack-mounted unit. This is particularly useful for complex recording environments, such as orchestras and large theater productions.<\/p>\n<p><strong><u>Tips for Recording Live Music<\/u><\/strong><\/p>\n<p>Whichever recording method you select, it\u2019s wise to always create a backup file. One thing I like about the Soundcraft Ui24R is that if I\u2019m doing a concert, I can send all of my inputs to a USB stick and also all of the inputs and outputs to my computer.<\/p>\n<p>I also often use my phone as a down-and-dirty handheld recorder. If there\u2019s a producer or someone else who wants to have an idea of how things are going, just hitting record on your phone at soundcheck and sending them a short recording can really put their mind at ease!<\/p>\n<p>Always make a checklist of everything you need to have with you and everything you need to do once you\u2019re at the venue. Your primary responsibility is to the front of house mix, so it\u2019s easy for other things to fall between the cracks.<\/p>\n<p>I like to bring a pair of <a href=\"http:\/\/www.jblpro.com\/www\/products\/recording-broadcast\/7-series#.WVKkXRMrKwI\" target=\"_blank\" rel=\"noopener\">studio monitors<\/a> to listen to my mixes during soundcheck, but having a great pair of <a href=\"http:\/\/www.akg.com\/pro\/headphones\/professional-headphones\" target=\"_blank\" rel=\"noopener\">closed back headphones<\/a> on hand to check them during the show is really important.<\/p>\n<p>Be sure to always bring plenty of extra batteries for your handheld recorder and wireless microphones. Finally, make sure you have a reliable flashlight within reach!<\/p>\n<p>Are you a front of house engineer who records a lot of live shows? Share your insights in the comments.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every live performance is a unique event, and there are many reasons why artists, producers and managers may want to record them. Knowing whether the recording will be used to review and refine elements of the show, post on social media, produce a live album<br><a class=\"moretag signature-animation\" href=\"https:\/\/pro.harman.com\/insights\/entertainment\/touring\/three-ways-to-record-live-shows\/\">CONTINUE READING<\/a>","protected":false},"author":27,"featured_media":4883,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[25],"tags":[],"application":[],"avlc":[],"brand":[],"product-category":[],"class_list":["post-4878","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-touring"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.7 (Yoast SEO v28.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Three Ways to Record Live Shows - HARMAN Professional Solutions Insights<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pro.harman.com\/insights\/entertainment\/touring\/three-ways-to-record-live-shows\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Three Ways to Record Live Shows\" \/>\n<meta property=\"og:description\" content=\"Every live performance is a unique event, and there are many reasons why artists, producers and managers may want to record them. 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He has mixed hundreds of regional shows and festivals, and worked extensively in audio for film, broadcast, animation, government, house of worship and education. 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