Photo by Craig Bess. Welcome to the third installment of “The Art of FOH Monitor Mixing.” In “The Art of FOH Monitor Mixing, Part 2: Setting Up the Mix” we talked about ringing out the system and communicating with the band during sound check. In this article, I’ll share some processes for improving your monitor
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In “FOH Monitor Mixing Basics, Part 1: Configuring the System,” we covered the basic steps of configuring a monitor mix and traced the signal chain from microphone to floor wedge. In part two, we’re going to discuss the steps you can take to ensure a great show and eliminate technical problems. This includes the band’s
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Any musician, singer or sound engineer knows the monitor mix can make or break a live show. After all, it’s very difficult to sing on pitch or play in time if you can’t clearly hear yourself or your fellow musicians. In this three-part blog series, we’ll explore best practices for monitor mixing from a single
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