Written by Douglas McGrath and premiered in 2013, Beautiful: the Carole King Musical is an award-winning musical based on the life and career of renowned songwriter Carole King. The show features arrangements of hit songs written by King, including “Some Kind of Wonderful,” “It’s Too Late” and “I Feel the Earth Move,” as well as other popular songs from the 1960s. The 2020 U.K. production features an eight-member pit orchestra to back up the cast, plus a live piano performance by Daisy-Wood Davis, who plays the role of King. In addition helping tell King’s story and deliver her songs in pristine sound quality, Beautiful required a world-class touring audio system that provided a memorable theatre experience for guests.
To faithfully reproduce the timeless music of King in a musical theater context, the show’s producers hired sound designer, Brian Ronan, and associate sound designer, Tony Gayle, to design the cutting-edge sound system. In charge of specifying equipment for the tour, Gayle deployed a state-of-the-art HARMAN Professional audio solution that includes class-leading JBL Professional VTX A-Series loudspeakers, Crown amplifiers, AKG microphones and BSS DI boxes.
In the spirit of staying true to King’s work, Gayle specified a JBL line array system composed of 34 VTX A8 loudspeakers and six VTX B18 subwoofers for powerful, detailed sound. With dual 8-inch Differential Drive woofers, four 3.5-inch midrange drivers and two 2-inch high-frequency drivers, the JBL VTX A8 delivers transparent response down to 49 Hz. An improved Radiation Boundary Integrator (RBI) waveguide gives the VTX A8 broad 110-degree horizontal dispersion to reach the entire audience. The JBL VTX B18 subwoofers give the system powerful low-end with double-flared Slip Stream ports for minimal distortion and turbulence. Gayle specified the subwoofers to be ground-stacked, coupling with the building itself so the audience could “feel the earth move.” Crown I-Tech 4X3500 HD amplifiers power the system.
To capture the pit orchestra’s drum kit with maximum detail and punch while achieving adequate isolation, Gayle selected AKG C414 XLS large-diaphragm condenser microphones. An evolution of the classic C412 used in studios to record many of King’s hits, the C414 XLS retains the sonic character of its predecessor while offering added flexibility. Five polar patterns allow precise, targeted capture in any situation, while adjustable switches for the pad and high-pass filter allow fine-tuning for a clean sound. These features made the C414 XLS ideal for capturing drums in the pit and a variety of other uses.
Gayle chose BSS AR-133 active DI boxes to capture electric instruments in the pit. With built-in phantom power, input attenuation from 0 to -40 dB and a rugged chassis, the AR-133 excels at capturing clean sound and withstanding the rigors of touring.
According to Gayle, the combination of crystal-clear AKG microphones, flexible Crown amplifiers and state-of-the-art JBL VTX loudspeakers is getting rave reviews from audiences on the Beautiful tour.
“The biggest challenge was reproducing the beautiful orchestrations that were written for the show, the details of the instrumentation and the vocals,” Gayle said. “Anyone can put speakers up, put up a microphone, put it through a mixer and make it louder. Making sure you replicate what is actually being played and what’s being said is the biggest challenge—keeping true to the material.”
“The first time I heard the VTX A8 was about a year to a year and a half ago,” Gayle said. “I was impressed with how open and transparent it was. Everything that I put into it just sounded great, and you heard the detail of everything that went into it. With a show like Beautiful, the orchestrations are so detailed and integral to the show that the A8 was a no-brainer for me. I thought, ‘this is the box that I want to showcase the music.’”
“The C414 is an industry standard,” Gayle said. “It’s a great all-around large-diaphragm mic that you know you can put on vocals, a trumpet, or a high-sound-pressure instrument and it will sound great. What goes into the microphone comes out. It doesn’t color what you’re amplifying at all. It’s robust and reliable, especially for a touring production.”
“Anyone who hears the JBL VTX loudspeakers comments on how good they sound and how transparent they sound,” Gayle said. “For me, a classic compliment on a speaker is if someone says ‘it sounded nice and big, and it didn’t hurt my ears.’ That’s a good compliment for me because it means that it sounded nice and loud.”