Disc To Disc Productions Opens the First Dolby Atmos Mixing Studio in Milan with JBL Professional 7 Series Master Reference Monitors

September 26, 2022

MILAN—Disc To Disc Productions recently unveiled the first Dolby Atmos mixing suite in Milan, and the first in Italy to feature JBL Professional 7 Series master reference monitors.

Based in the iconic city of Milan, Disc To Disc is an audio post-production company that offers recording, editing and mixing services for original television series, cinema, commercials and cartoons. In addition to its audio post-production for the screen, Disc To Disc also converts top music producers’ stereo mixes to Dolby Atmos surround mixes for hit-making artists in the Italian music industry.

While there are many media production companies and professionals living and working in Milan, the vast majority of Italy’s audio post-production facilities are located in the capital city of Rome. Studio Owner and Audio Engineer Antonio D'Ambrosio's vision for Disc To Disc was to open the first Dolby Atmos-equipped audio post-production mixing studio in Milan and bring the rich professional tradition of Rome’s cinema audio industry to the bustling Milan market. In order to ensure a top-notch listening and mixing experience in the first Milanese Dolby Atmos-certified studio, D’Ambrosio outfitted Disc To Disc’s main cinema mixing room with a complete 7.4.1 surround sound solution centered around JBL 7 Series master reference monitors.

“There are many broadcast and streaming companies with headquarters in Milan, but until now they’ve had to work with studios in Rome to mix their production audio,” said D’Ambrosio. “It was a dream for us to create the first Dolby Atmos mixing room inside the city of Milan. In the past two years, we’ve done some original series for Disney Plus, Amazon Prime Video and RAI—the historic national broadcast company of Italy. The challenge has been to convince the major players that they don’t have to go to Rome to mix their audio. I rely on the JBL 7 Series monitors to deliver the quality results our clients expect. JBL 7 Series allows me to hear how my spatial audio mixes are going to translate to any environment, from home entertainment to cinema and Dolby Atmos music. I trust these monitors.”

Disc To Disc’s primary mixing room features a complete 7.4.1 Dolby Atmos-compatible monitoring system of JBL 7 Series master reference monitors. The JBL 7 Series provides a powerful and flexible monitoring solution for music, post and broadcast production. Featuring patent-pending driver technologies and the renowned JBL Image Control Waveguide, Disc To Disc’s JBL 7 Series monitors provide D’Ambrosio and his staff with exceptional output, stunning detail, an expansive soundstage and impressive accuracy. The left, center and right channels are delivered by JBL 708i 8-inch speakers, while 705i 5-inch speakers provide all surround and overhead channels. The LFE channel is handled by a single 4645C 18-inch subwoofer, which features a low-frequency transducer mounted in a direct radiator, bass-reflex enclosure for smooth response to the lowest audible frequencies.

“The JBL 7 Series is the only speaker that is eclectic and versatile enough for mixing both cinema and music,” said D’Ambrosio. “In my normal work day, I switch between projects that require different room equalizations no less than three times over the span of eight hours. Over the course of the day, the JBL 7 Series speakers shine in their precision, versatility and reliability. We don’t often work at high volumes, but even when we push up the levels for the final loudness check, the speakers don’t break down—they sound fantastic at any volume level.”

Because the left, center and right channels are located behind a projection screen in Disc To Disc’s main mixing suite, D’Ambrosio chose to utilize the passive versions of the 7 Series monitors for the entire system and power them with Crown DriveCore Install Series amplifiers. In the near future, Disc To Disc projects to open a second Dolby Atmos-certified mixing suite with JBL 7 Series speakers. The second room will feature a video monitor instead of a projection screen. For this reason, D’Ambrosio plans to utilize the self-powered JBL 708P and 705P monitors instead of the passive 708i and 705i models.

“The JBL 7 Series speakers, in my opinion, are the only speakers that work great behind a projection screen,” said D’Ambrosio. “These speakers work best behind the screen when powered with Crown amplifiers. The DCi Series amplifiers are fantastic, because the electricity is of such a high quality. The response from our clients has been very positive. Amazon Prime Video loves that we finally have a Dolby Atmos-certified mixing room for original series and film projects. We plan to build a second Dolby Atmos room with JBL 7 Series self-powered speakers, because the monitors won’t be located behind a projection screen.”

Martin by HARMAN Introduces MAC Aura XIP Indoor/Outdoor Premium Wash Light with Filament Effect

Martin by HARMAN Introduces MAC Aura XIP Indoor/Outdoor Premium Wash Light with Filament Effect

September 22, 2022

NORTHRIDGE, Calif. — HARMAN Professional Solutions, the global leader in audio, video, lighting and control, today introduces the Martin MAC Aura XIP, premium moving head wash light raising the bar for optical quality, featuring an even wash field with soft edge, minimal stray light, and high intensity mid-air beams. It has a radical aura filament effect, with improved light engine control and a first-in-its-class outdoor rating with close to zero compromises in weight, size and aesthetics.

“In developing the MAC Aura XIP, we set out to build a true workhorse,” said Wouter Verlinden, Product Manager Creative LED, Lighting and Control. “Our smart outdoor-capable design intelligently seals away vital electronics while exposing the cooling system to the elements which allows for a lighter, quieter and more versatile unit that can be used anywhere, at any time, reinventing the universal indoor/outdoor-rated concept.”

MAC Aura XIP’s 12 Radical RGBW filaments deliver a brighter aura backlight effect as well as the ability to show iconic aura filaments, promising new and exciting stage effects. The extensive feature package covers both indoor and outdoor applications with optional high CRI / TM-30 / TLCI modes, LED frequency control for a flicker-free even wash light, RGBW color mixing and multiple control options. Also included are variable calibrated color temperature control, 200+ built-in FX macros, rapid movement and 8.8 – 49.3˚ zoom range, and weighing just 8.9 kilograms.

Radical new aura filament effect and beam pixel control
Featuring pixel control with video mapping capabilities onto beam, aura, or both with easy setup mapping and addressing via a Martin P3 controller, the MAC Aura XIP promises new and exciting eye candy looks that create intriguing stage effects.

Workhorse versatility
The MAC Aura XIP is lightweight, compact and silent enough for the most demanding indoor applications such as theater, television and corporate events. While being robust and waterproof for use at outdoor festivals, concerts and events, it breaks the barriers of previous workhorse fixtures with its sealed design requiring less maintenance.

Outdoor capable with zero compromise to indoor use
MAC Aura XIP is the first fixture in its class to feature innovative smart outdoor-proofing technology. The fixture is fully waterproof for weather conditions such as rain, snow, sand or ice with close to zero impact on the fixture’s size, weight, output, noise and aesthetics, making it a truly versatile workhorse that can avoid “indoor-only” and “outdoor-only” labels.

Optically robust
While the MAC Aura XIP is very similar to the MAC Aura XB in size and output, it has remarkable upgrades such as a narrower zoom creating a higher intensity beam and less stray light. The optional high CRI / TM-30 / TLCI mode is ideal for better rendering of people and costumes in demanding broadcast and theater applications, plus LED frequency control for flicker-free projection in broadcasting. It also has additional plus/minus green control over white point which helps to match additional lights and cameras in its vicinity as well as improve skin tone optical performance.

Clean and even wash field
An extremely even wash field with zero hotspot and a soft edge allow the MAC Aura XIP to create a better stage wash. The lack of stray light removes the need for beam control accessories such as top hats in many applications. It has the cleanest wash field in its class, emitting rich, saturated colors with RGBW color mixing to deliver very bright and vibrant colors, soft pastels, and white tones.

Easier handling
The MAC Aura XIP is built to be a workhorse with handles on the head and base and Omega bracket attachments for easier handling and rigging. It also includes a battery-powered control panel on the base for easy fixture addressing in pre-flight. Its sealed design requires less maintenance (as less dust and pollution can enter the product) than IP20 alternatives.

“The MAC Aura XIP is truly a wash light workhorse,” added Verlinden. “It works equally well in a range of applications; from quiet and demanding theater, broadcast and other indoor applications to brutal working applications such as outdoor festivals and touring.” While the MAC Aura XIP offers lighting designers a range of possibilities with its aura filament effect, narrower beam and better wash quality with improved light engine control; rental customers will appreciate a workhorse that is lighter and more versatile with optical improvements and a sealed design, allowing the product to be used virtually anywhere and require less maintenance.

Additional Details
For complete product details and specifications, visit:

Summerfest Returns With Pristine and Impactful Live Sound by JBL Professional Solutions

Summerfest Returns With Pristine and Impactful Live Sound by JBL Professional Solutions

September 08, 2022

MILWAUKEE, Wis.—To provide artists and audiences at Summerfest with immersive and impactful live sound, Clearwing once again enlisted JBL Professional VTX Series speakers for the job.

A longtime staple of the music festival season, Summerfest is a multi-week event that brings a wide variety of artists and fans to Henry Maier Festival Park every year. With hundreds of performances taking place across twelve stages, Summerfest is historically one of the most-attended festivals in the world and earned the title of “World's Largest Music Festival" by Guinness World Records in 1999. After a two-year hiatus due to the COVID-19 pandemic, Summerfest returned for three consecutive weekends in June and July rather than 11 straight days like previous years, and featured Modest Mouse, 2 Chainz, Charli XCX, Dustin Lynch, among many others.

Despite this year’s schedule change, Summerfest’s stages still required high-quality sound that provided both impactful dynamics for artists and balanced coverage for audience members. To meet these requirements, Clearwing deployed JBL VTX A and V Series speakers––reliable choices for the past several years at Summerfest.

“Summerfest is a logistical marathon,” said Jeffrey Mayer, Regional Audio Operations, Clearwing. “Each stage area is a unique footprint, and many have proximity concerns. They require a product line with resources that can fill in only the desired coverage gaps while segregating the space beyond. Luckily, the VTX Series does just that.”

Built upon the design and features of the VTX V Series, the JBL VTX A Series is the ultimate live sound solution for stages and venues of any size. Not only does the A Series feature JBL’s proprietary transducer technology and next-generation high-frequency waveguide design, but each speaker includes a streamlined rigging and suspension system designed in-house by JBL’s engineers. The result is a perfect balance between sonic dexterity and ease of use necessary for well-running live rigs.

“Having a product that deploys and recovers as fast as VTX is extremely beneficial––the rigging is quick and intuitive, and is designed in a way that alleviates many potential errors,” added Mayer, “It is a well-built, well sounding, tour capable product line that is sure to make its way onto everybody's rider. The versatility and scalability allow us to maximize our inventory.”

An early adopter of the VTX A Series, Clearwing first implemented the speakers at Summerfest in 2017 and again the following year after the positive experience and reception. For this year’s Summerfest, Clearwing went from equipping only three stages with VTX A and V Series speakers to all eleven stages excluding the American Family Insurance Amphitheater.

In 2019, Clearwing upgraded its permanent production inventory with VTX A12 and A8 line array systems for use for a variety of events, including Summerfest. The A12 offers 90-degree coverage down to 250 Hz and a specially designed Radiation Boundary Integrator and JBL transducers, ensuring distortion-free bass, balanced mids and detailed highs for every audience member.

“We chose the VTX A12 for Summerfest due to the system’s ability to meet the many requirements the festival demands,” said Bryan Brunclik, Vice President – Production, Clearwing. “Flexibility, coverage and intelligibility are absolute necessities for a festival that hosts such a wide range of artists and engineers, and the A12 exceeds expectations in these areas.”

The A8, meanwhile, uses the same audio technology as the A12 but also provides horizontal coverage up to 110 degrees in a compact, 8-inch enclosure. Additionally, as both speakers use the same streamlined rigging, both speakers can be assembled together and used in conjunction for maximum sonic impact.

With JBL engineering personnel present at Summerfest every year, Clearwing thanks JBL and HARMAN for their continued support and communication in the midst of a still-recovering live audio industry.

“Each year JBL sends out engineering teams to assist the army of on-site production staff to ensure the large deployment functions as it should over the three-weekend festival,” said Mercer Pinkston, Director of Production – MKE, Clearwing. “Any issues are quickly addressed and taken care of. In addition to that, Clearwing staff, IATSE members, and touring personnel get face-to-face interactions with the JBL engineering team to get familiar with best practices and use procedures.”

“In addition to system performance, JBL provides us with an extremely high level of support with technical knowledge and response times,” added Brunclik. “All of that provides an extra sense of security in a fast paced and occasionally stressful environment.”

Spring Studios NYC Illuminates Eclectic Roster of Events and Productions with Martin Lighting Solutions

Spring Studios NYC Illuminates Eclectic Roster of Events and Productions with Martin Lighting Solutions

August 09, 2022

NEW YORK CITY—To provide Spring Studios with versatile, high-output lighting for a myriad of events and productions, IMCD Lighting selected and installed Martin MAC Ultra Performance fixtures, provided by Christie Lites.

With studios in both New York City and London, Spring is a 360 agency that provides a variety of communications services for fashion, lifestyle and luxury brands. The New York studio is a multi-level space with a comprehensive backend for photoshoots, video productions and live events, attracting a diverse range of clients—including the Wall Street Journal, New York Fashion Week and the WNBA among others. When the studio required new light fixtures with modern features and brightness that could compete with the sunlight from the studio’s massive windows, the Martin MAC Ultra Performance was a natural choice.

“At Spring Studios, we do anything from high-end corporate meetings like Goldman Sachs, Microsoft and Google to standard galas, parties, product releases and big weddings,” said Joe Hodge, Designer, IMCD Lighting. “Having western-facing windows, the sun is always a major player in the space; flexibility, intensity, and consistency was always an issue with the stage lighting. Previously, we used Martin MAC Vipers followed by MAC Encores, but we wanted something with greater intensity to compete against the natural light. When I first saw the Ultra, I knew it would work perfectly in my venue.”

With up to 46,500 lumens in projection, a 1:7 zoom-range and an extensive feature package, the MAC Ultra Performance offers the output and dexterity needed to accommodate a wide range of events. Additionally, the fixture’s advanced color mixing capabilities allow for washes, beams and more that easily fit the visual aesthetics of Spring Studios’ diverse client list. These features were enough to convince Hodge to rent 24 MAC Ultra Performances from Christie Lites after visiting the Martin Roadshow in early 2021, making Spring one of the first studios in New York City to utilize the fixtures.

“I had only looked at a demo and never actually used the lights when I pulled the trigger on it,” explained Hodge. “I was pleasantly surprised with how intense and versatile they were. In the past, we would have 12 fixtures at a 45-degree beam layered for a front wash. All of that came out to about 350 footcandles, which was not bad for a stage. But I recently had six Ultras doing the same thing at 45 degree zoom, and I had 750 footcandles. I more than doubled the output with half of the lights, which is huge for balancing your camera with the sun.”

Along with the high output and extensive color range, the MAC Ultra Performance’s innovative Extending Framing System proved especially useful for Hodge and the lighting crew. Highly responsive and easily programmable, the shutters are capable of tilting from one end of the beam to another, allowing for precise framing as well as full-curtain blocking.

“If you're doing something like a 30-30 or 45-45 coming from two sides for the front light, you have to turn a lot of the shutter assemblies on other fixtures,” said Hodge. “With the Ultras, we only had to adjust two shutter assemblies. The single shutters themselves could make the turn and could be at the bottom, like a square stage coming at an angle. We didn't have to really mess with the shutter assembly and rotating; we were able to just place the shutter and not worry about it kicking out. So the shutters have been a huge time saver since they operate so cleanly and consistently.”

Spring Studios have already implemented MAC Ultra Performance fixtures in a number of events and productions, including the WNBA Draft, the WSJ Future of Everything Festival and the CNN Citizen Conference. Hodge praised the fixtures’ consistent performance and adaptability, and noted his continued interest in utilizing Martin solutions for future projects.

“We recently got Sceptrons last fall and tried the Martin P3 System Controller for the first time,” said Hodge. “Brad Schiller and the Martin team are great because they always connect us with the person who actually understands what we need. They are a huge supporter in what we do and we feel a lot more comfortable using these new solutions with their help”.

Nederlands Blazers Ensemble Celebrates This Year’s Nieuwjaarsconcert With Martin Lighting Solutions

Nederlands Blazers Ensemble Celebrates This Year’s Nieuwjaarsconcert With Martin Lighting Solutions

August 05, 2022

AMSTERDAM—To provide the esteemed Nederlands Blazers Ensemble: Nieuwjaarsconcert 2022 with lighting that captivated audiences watching live and on the small screen, lighting design company Light-H-Art utilized Martin MAC Ultra Performance LED fixtures.

The Nederlands Blazers Ensemble Nieuwjaarsconcert––performed on-stage before an audience and broadcasted by NPO 2 on New Year’s Day––is a pivotal event in the Dutch cultural calendar, ringing in the New Year for countless viewers. The 2022 edition marked the concert’s 50th iteration, which paid tribute to legendary singers Nina Simone and Maria Callas. To create immersive and riveting visuals suitable for such a milestone, veteran lighting designer Henk-Jan van Beek and the Light-H-Art team selected the Martin MAC Ultra Performance as the lighting fixture of choice.

“I had already seen and played with the MAC Ultra Performance, and so I knew it was something I wanted to have,” said van Beek. “It’s since become my de-facto workhorse––it’s easy to set up, zooming into an iris effect is fast and elegant. Because it’s so bright, the fixture is amazing at painting walls and making the subtle background illuminations that are vital in a stage performance.”

Designed to suit even the most ambitious productions, the MAC Ultra Performance features Martin’s 1150W, 6000K proprietary LED light engine, which is capable of emitting up to 46,500 lumens in projection over its 50,000+ hour lifespan. Additionally, the fixture’s comprehensive collection of effects, filters and color blends allows for everything from stark white beams and saturated color washes to flickering strobes and captivating prisms. Suited for broadcasts as well as live shows, the MAC Ultra Performance was ideal for creating the grand and stunning visuals fit for Nieuwjaarsconcert.

“We were impressed with how few fixtures we had to use to get the effects we needed,” added van Beek. “I used a night sky gobo and was absolutely stunned. It literally looked like the walls were painted. Everyone who worked on the production was impressed by the brightness, as well as the fast and precise zoom––it was exactly what we needed.”

Thanks to MAC Ultra Performance’s careful engineering and potent specifications, as well as the hard work and expertise of Light-H-Art, the fixture’s Dutch TV debut was a resounding success and will play a role in future broadcasts and stage events. Light-H-Art plans to make the fixture a cornerstone of its lighting repertoire and is excited to deliver stunning visual experiences as the industry rebounds from the COVID-19 pandemic.

“The rest of the year looks incredibly busy,” said van Beek. “Life is returning to normal, and summer is finally here. I can’t wait to see what happens next.”

Xu Restaurant Lounge and Cocktail Bar Delivers Unforgettable Live Music Performances with JBL Professional

Xu Restaurant Lounge and Cocktail Bar Delivers Unforgettable Live Music Performances with JBL Professional

August 03, 2022

HO CHI MINH CITY, Vietnam—Phuc Giang recently supplied Xu Restaurant Lounge and Cocktail Bar with a state-of-the-art JBL Professional distributed audio system.

Established in 2005, Xu Restaurant Lounge and Cocktail Bar is an iconic social gathering place located in the center of Ho Chi Minh City. In addition to its menu of top cocktails and cuisine from Vietnam, Xu offers premium musical entertainment in the form of live bands and guest DJs. During the 2020 lockdowns, Xu took the downtime as an opportunity to upgrade their sound system with the help of Phuc Giang. To provide immersive musical experiences for guests, musicians and DJs alike, Phuc Giang installed a state-of-the-art sound system using JBL EON powered speakers and subwoofers.

Staff reported that Xu Restaurant Lounge and Cocktail Bar needed a seamless and easy-to-use sound system that would deliver clear and balanced audio in all areas of the restaurant, and that they are very pleased with the JBL Professional system installed by Phuc Giang.

To deliver impactful stage audio, Phuc Giang installed JBL EON 612 loudspeakers, which boasts a modern two-way multipurpose self-powered design. To compliment the low end, the team also installed JBL IRX 115S subwoofers on the stage, delivering powerful bass frequencies to viscerally support the musical entertainment. To ensure professional sounding mixes with unmatched user-friendliness, Phuc Giang included a Soundcraft Ui24R wireless tablet-based mixing console, which makes it easier than ever to get from setup to soundcheck to great concert sound.

Staff reported that the stage’s new JBL-powered sound system produces impeccable sound quality that is clear, energetic and vibrant. They added that the new sound system brings out strong performances from DJs and musicians alike, delivering a new level of customer experience unlike any other.

“Being a hotspot in Ho Chi Minh City, Xu Restaurant Lounge and Cocktail Bar required superior audio solutions to offer elevated one-of-a-kind sound experiences,” said G Amar Subash, VP & GM, HARMAN Professional Solutions, APAC. “We would like to thank Phuc Giang for their customer-focused approach in understanding the unique requirements of the venue and providing an optimal easy-to-use system that has been expertly designed and successfully executed.”

Eun-pa Church Creates an Inviting Space for Worship With Class-Leading JBL Professional and Crown Audio Solutions

Eun-pa Church Creates an Inviting Space for Worship With Class-Leading JBL Professional and Crown Audio Solutions

August 01, 2022

BUSAN, South Korea—To ensure clear, intelligible sound throughout Eun-pa Church, TechDataPS Co.  outfitted the worship space with advanced JBL Professional loudspeakers and Crown amplifiers.

Established in 1971, Eun-pa Church has been providing worship services for more than 50 years. The church’s current facility was built in 2004 and required renovation after almost 20 years of use, including structural reinforcements to increase safety as well as a new sound reinforcement system for improved sound quality and flexibility.

TechDataPS reported that their client wanted the highest quality-audio system within their budget and was not satisfied after receiving quotes from multiple brands. They added that after visiting TechDataPS' showroom, the church’s pastor personally selected the JBL VTX A8 loudspeakers because he was satisfied with their performance.

For primary sound reinforcement, TechDataPS decided an 8-inch loudspeaker was the ideal choice for the size of the space, deploying a total of 12 JBL VTX A8 line array loudspeakers (six per side). With powerful, wide-spectrum output, a broad 110-degree horizontal coverage pattern and versatile rigging options, the VTX A8 is perfectly suited to the space. While the church had previously used a number of delay speakers to cover the area under its balcony, the VTX A8s provided more than enough coverage on their own, eliminating the need for additional speakers.

To meet the church’s request for powerful bass output, TechDataPS supplemented the main line arrays with two JBL VTX B18 subwoofers per side. Featuring a single 18-inch JBL 2288H Differential Drive woofer, the B18 delivers extended bass response perfectly matched to the A8’s frequency response. Patented JBL Slip Stream flared low-frequency ports improve airflow and reduce audible turbulence, even at maximum excursion.

To power the system, TechDataPS equipped the church with Crown I-Tech 4x3500HD amplifiers. Built around Crown's patented Class-I architecture, the I-Tech 4x3500HD delivers up to 4000 watts per channel with superb efficiency. The amplifier's four inputs accept analog, AES3 or Cobranet signals, and are each individually routable to the four output channels for maximum flexibility. Finally, each channel features OMNIDRIVEHD processing for signal enhancement and speaker protection, including the acclaimed LevelMAX Limiter Suite.

Eun-pa Church described the new audio system as simple, intuitive, easy to operate and reliable. Staff reported being very satisfied with the sound quality, praising its coverage characteristics and simple configuration.

"Worship spaces like Eun-pa Church require superior audio quality and clarity," said Amar Subash, VP & GM, HARMAN Professional Solutions, APAC. "We would like to thank our partner TechDataPS for understanding the specific needs of the client and designing a high-quality, easy-to-use sound reinforcement system capable of projecting consistently clear audio throughout the worship space."

JBL Professional Solutions Debuts the JBL VTX A6 Line Array Element and B15 Compact, Arrayable Subwoofer

JBL Professional Solutions Debuts the JBL VTX A6 Line Array Element and B15 Compact, Arrayable Subwoofer

July 26, 2022

NORTHRIDGE, Calif.— HARMAN Professional Solutions, the global leader in audio, video, lighting and control technologies, today introduced the newest members of JBL’s flagship VTX line array series, the VTX A6 subcompact dual 6.5-inch passive line array element and the B15 compact, arrayable 15-inch subwoofer.

The A6 and B15 bring JBL’s top acoustic technologies to compact form factors for small- to medium-size touring and fixed installations, providing versatile solutions for production companies, touring acts, rental houses, theaters, houses of worship and anyone who requires superior sonic performance in space-critical applications.

“When you choose the JBL VTX A Series, you’re building a complete ecosystem, with common acoustic profiles and rigging systems, consistent voicing and standardized system design and operational tools,” says George Georgallis, Director, Product Management–Performance Audio at HARMAN Professional Solutions. “And, by accessing VTX technologies in a new ultra-compact package, you’re able to maximize your system investment and deliver VTX quality and performance in any scale application.”

The A6 6.5-inch passive two-way line array element is engineered from the ground up for stunning sonic performance and ease of integration and deployment, as a standalone system or as a supplement to larger VTX systems. It houses two custom 6.5-inch woofers and a 3-inch annular-diaphragm compression driver and features acoustic innovations pioneered in JBL’s VTX line, including JBL’s patented Radiation Boundary Integrator™ (RBI) and Differential Drive® dual-voicecoil, dual-magnet woofer. It all adds up to big-system performance in a low-profile loudspeaker, with low-frequency extension to 67 Hz and 134 dB max SPL.

Extend the low-end range of VTX full-range systems with the VTX B15 15-inch subwoofer. The B15 features acoustic advancements such as SlipStream™ double-flared exponential ports and Differential Drive dual-voicecoil design and is based on JBL’s new 2285H 15-inch woofer, which is engineered for linearity, efficiency and excursion that rival 18-inch models. Two B15 versions are available: the arrayable B15 and the B15G, which is designed without rigging hardware for ground-stacked applications.

Both the A6 and B15 are designed for versatile rigging and effortless system integration. The A6 uses the VTX A Series’ patented rigging system for accurate, easy deployment. Set splay angles while components are on the ground; once the system is suspended, a locking mechanism automatically secures cabinets in designated positions. The B15 has the same cabinet width and suspension hardware as the A6, allowing the two products to be used together in flown and ground-stacked configurations; the B15 supports cardioid array configurations.

Streamline system operation and share information with teams in real time using JBL’s suite of software tools, including the LAC-3 design application, the Array Link deployment tool and the Performance Manager configuration and control application. Simple, intuitive user interfaces let users design systems in minutes and manage functions from anywhere.

JBL VTX A Series products are constructed from premium materials that withstand the harsh conditions of touring and outdoor installations. Enclosures are built from exterior-grade birch plywood with black Duraflex finish and feature powder-coated, hex-perforated stainless steel grilles with acoustically transparent cloth backing. Units are IP55-rated and metal parts are made from high-grade steel with anti-corrosion coating.

With the addition of the A6 and the B15, the JBL VTX Series offers a complete ecosystem for delivering unrivaled sound reinforcement at any scale, in any venue, anywhere in the world.

Additional Details
For complete product details and specifications, please visit:

Meredith Willson’s The Music Man Revives a Broadway Classic with Martin Professional Lighting Solutions

Meredith Willson’s The Music Man Revives a Broadway Classic with Martin Professional Lighting Solutions

July 25, 2022

NEW YORK—To ensure a visually stunning stage lighting design with true-to-life color, The Music Man on Broadway recently worked with PRG and Martin Professional to deploy an array of Martin lighting solutions, including MAC Viper, MAC Encore Performance and the brand new MAC Ultra Performance and Ultra Wash fixtures.

Written by Meredith Willson and originally staged in 1957, The Music Man is a timeless Broadway classic that’s won numerous Tony awards and has been staged by countless theater companies—professional and amateur alike—in the past 75 years. In February 2022, a new production of The Music Man starring Hugh Jackman and Sutton Foster opened at the Winter Garden Theatre. In order to ensure immersive visual experiences for theater-goers, director Jerry Zaks worked with renowned scenic and costume designer Santo Loquasto and award-winning lighting designer Brian MacDevitt to strike a balance that simultaneously felt modern while retaining the old-fashioned quality of the original production.

To accomplish the production’s goals, MacDevitt needed state-of-the-art LED lighting fixtures that evoked the natural quality of incandescent lighting while offering contemporary features like automated effects and color changes. At the recommendation of associate lighting designer Nick Solyom and lighting programmer David Arch, MacDevitt selected an array of Martin MAC fixtures—including the new MAC Ultra Performance—for their brightness, color temperature, rich feature set and ease-of-use.

“I’m old school; I grew up on incandescent lighting and I want the actors and sets in my shows to appear natural,” said MacDevitt. “In the past decade, I’ve struggled to find my palette as the entire industry moved to LED fixtures. For a while it was really hard to pull off realistic looking sunlight or interior lighting. When I first discovered the Martin MAC Encore WRM, it felt like I had finally found a new fixture that reminded me of incandescent lighting. And the new MAC Ultra fixtures do an excellent job of sunlight.”

MacDevitt’s lighting team deployed a full array of Martin fixtures to fill various roles in the lighting design. The team utilized Martin MAC Ultra Performance fixtures hung from balcony rails to illuminate Santo Loquasto’s scenery. The MAC Ultra Performance’s unmatched brightness and color temperature helped MacDevitt achieve the natural-looking sunlight he was aiming for, and its ultra-low operating noise enabled them to deploy the fixtures very close to the audience without disturbing their listening experience. MacDevitt also selected MAC Ultra Wash fixtures to backlight the performers. For the performers’ key light, MacDevitt chose MAC Encore WRM fixtures for their authentic incandescent appearance.

“In my experience, these Martin fixtures are the best I can get for natural-looking light,” said MacDevitt. “Between the Ultras and the Encores, I’ve found the incandescent palette that I’ve been missing for years. I’m really proud of this lighting design, and my team for pulling it off. The producers are really happy with how it came out.”  

For area lights, the team deployed MAC Viper Performance fixtures. The ubiquity and long-standing reputation of Martin MAC fixtures helped associate lighting designer Nick Solyom and programmer David Arch achieve the nuances of MacDevitt’s lighting design with confidence and comfortability, even though it was their first time using the new MAC Ultra fixtures.

“The Ultra Performance shines in our front-of-house positions—we use its full field shutter, zoomed wide to follow drops in and out," said Solyom. "The Ultra Wash units are onstage and its zoom range lets us use it as a backlight for a single person, or a full stage wash. I don't think there's another wash fixture doing what the Ultra Wash does. I would recommend the Ultra Performance and Ultra Wash for any new Broadway musical that’s going for big and bright. Other fixtures will either cost a lot in lamp changes, or they simply won’t be bright enough. The Ultra doesn’t have either of those problems.”

“I hadn’t seen the Ultra Performance before The Music Man,” said Arch. “The Ultra gives unmatched brightness out of the gate, and it’s a beautiful light—no doubt about it. The feature set is quite easy to step in and program. I’m fixture-agnostic, but as a programmer, working with Martin fixtures has a consistent and familiar feel across the different models and generations. If I get hired for a show and I see that there’s Encores, Ultras and Vipers, I don’t have to think twice about how to get the effect I want out of each fixture. It’s like riding a bike. And the one time I wasn’t able to figure out how to get a specific fixture to do something I wanted, my Martin rep connected me immediately to the head of research and development to sort out the issue. You can’t beat that kind of customer service.”

Audiences at Coachella’s Gobi Stage Enjoy Dynamic, Impactful Sound From JBL Professional and Crown

Audiences at Coachella’s Gobi Stage Enjoy Dynamic, Impactful Sound From JBL Professional and Crown

July 25, 2022

INDIO, Calif.—For the Gobi Stage at this year’s Coachella Valley Music and Arts Festival, sound equipment provider Rat Sound Systems relied on HARMAN Professional audio solutions to deliver impactful sound and a consistently unforgettable audience experience.

Starting in 1999 with a 25,000-person attendance, Coachella is now one of the most successful and beloved music festivals in the world. This year, the festival occurred over two weekends and brought approximately 250,000 people to the Empire Polo Club in the Coachella Valley. This year marked the festival’s highly-anticipated return after a two-year hiatus with a lineup including Harry Styles, Billie Eilish and Swedish House Mafia with The Weeknd as headliners.

This year, the mid-size Gobi stage hosted a diverse bill of artists including electro-pop singer Rina Sawayama, alt-jazz combo BADBADNOTGOOD and rising queer country star Orville Peck among many others. To best accommodate a variety of genres and give the audience an immersive experience uninhibited by noise from the other festival stages, the Rat Sound team implemented a dynamic rig featuring JBL Professional VTX Series speakers and Crown VRack Series amplifiers.

“There are a lot of artists on the Gobi stage with a lot of dynamic and unique sounds,” said Kyle Pace, Project Manager, Rat Sound. “The main challenge at this stage is the tent structure and sound slapping from the back structures out in the field and sides of the tent. The JBL engineers came in and listened to the requests of what we were trying to accomplish. Using their smaller-degree boxes on top and the wides on bottom definitely helped minimize slapback from the rear structures and sides of the tent. The JBL system did a phenomenal job at projecting a clear and accurate representation of what was going in and out of the console.”

Using the streamlined, best-in-class rigging technology found across VTX Series speakers, the team designed two main speaker clusters each consisting of ten JBL VTX A12 and two A12W line array speakers. Featuring a high-frequency waveguide design and next-generation JBL transducer technology, the VTX A12 is built to provide mid-to-large stages with detailed sound and impactful output. Additionally, the redesigned Radiation Boundary Integrator ensures even coverage and minimal distortion or horn edge diffraction even at higher levels. The VTX A12W includes the same features as the A12 along with a 120-degree dispersion pattern for greater horizontal coverage.

“It’s so exciting to be back at Coachella, especially after the pandemic––it’s especially nice to be mixing on the VTX A12 PA,” said Anna Dahlin, FOH for Rina Sawayama. “It gives me all the clarity I need for a predominantly electronic show like Rina Sawayama, plus a solid sub to underpin the dance element of the music.”

Along with the A12 speakers, the Rat Sound team installed 15 JBL VTX B28 dual 18-inch subwoofers, which are designed to complement the rest of the VTX Series speakers with reinforced, transparent low end. Using innovative JBL Differential Drive woofers, the B28 delivers a powerful bass response as low as 25 Hz, making it a useful speaker for attention-grabbing live shows. Finally, JBL VTX A8 compact line array speakers, with 110-degree dispersion and mid-frequency Radiation Boundary Integrators, served as the front fill speakers and two delay clusters thanks to their efficient coverage and compact design.

“The drivers on the VTX speakers have a lot of clarity, precision and intelligibility,” said Pace. “I was able to make out and hear a lot of sounds that get buried inside of tracks. The consistency of the PA walking side to side and back to front was a breath of fresh air.”

“The VTX solutions deployed on Gobi were both musical and powerful,” noted Bill May, FOH for electronic artist TokiMonsta. “For my client on a festival stage with highly-produced tracks, it is very important to have heaps of headroom and a musical PA right out of the box. I was really impressed with this system and I’m excited to see it out on the road.”

For the backend, Rat Sound selected Crown VRack Series Amplifiers to provide ample power and optimum performance. Both the 4x3500HD and 12000HD amplifiers are all-in-one solutions for touring shows of any size, packing intuitive controls and reliable inputs into a compact and tour-ready enclosure. Lastly, JBL Performance Manager software provided the Gobi front-of-house with comprehensive, easy-to-use controls and a streamlined layout for programming, automation and more.

Across the two weekends, audiences at the Gobi stage enjoyed the rig’s crystal-clear and wide-reaching sound as they watched an eclectic lineup of artists and bands. Overall, the engineers who worked the Gobi stage found the system to be effective and worry-free, making for an enjoyable live music experience for everyone involved.

“Any time I walk into a VTX rig, I know it’s going to be a good day,” added Devin Foley, FOH for indie pop band the Marias. “They’re definitely one of my favorite boxes so far.”

Detroit’s Movement Festival Roars Back to Life With Help From JBL Professional Audio Solutions

Detroit’s Movement Festival Roars Back to Life With Help From JBL Professional Audio Solutions

July 22, 2022

DETROIT—To ensure maximum impact and immersive stereo sound across the many dancefloors at Detroit’s Movement Festival, event producer Paxahau and Thunder Audio selected and deployed highly versatile JBL VTX Series line array sound reinforcement systems.

Held in the city considered to be the birthplace of techno, Movement Festival is an annual three-day electronic music festival that brings thousands of fervent audiences to Detroit every Memorial Day weekend. After being postponed in 2020 and 2021 due to the COVID-19 pandemic, 2022 marked Movement’s highly anticipated return to form and a chance for the close-knit electronic music community to finally gather in person once again.

“Detroit techno was always a dark room and a huge PA––it didn't matter what kind of lights you had or whatever; if you wanted the visceral experience in regards to clarity and a loud sound system, you came to Detroit in the nineties,” explained Sam Fotias, Director of Operations, Paxahau. “Since we all came up in that paradigm, that's what we bring to the table for the festival. We don't have a decibel cap, and all of our systems are designed five times more than what is needed for the coverage at each stage”

Working within the gear, personnel and budget constraints of a still-recovering live music industry, Movement organizers Paxahau required a live audio system that upheld the festival’s well-known reputation for unrivaled, immersive sound at every performance area. To meet these goals, Thunder Audio designed and deployed dynamic, streamlined rigs featuring JBL VTX A12 loudspeakers and B28 and S28 subwoofers for several of Movement’s stages. 

“We have a reputation that when you come to Detroit to the Movement Festival, that the audio experience is going to be spectacular,” said Mike Fotias, Production Manager, Paxahau. “Thunder Audio, being our partner for almost all of the years that we've been doing the festival, has worked very closely with us in always making sure that not only do we have the latest technology deployed in our sound systems, but also that there is very solid engineering and design that goes into each one of those sound systems”.

“One of their key goals is, as Mike Fotias always says, ‘the stereo,’” added Greg Snyder, Senior VP of Sales and Engineering, Thunder Audio. “The stereo has to be second to none. If you don't remember anything about Movement other than that the audio was amazing, then we did our job. Therefore, the involvement of JBL has become part of our routine.”

Equipped on the Stargate, Red Bull and Pyramid stages, the JBL VTX A12 is a line array speaker designed from the ground up to best serve the needs of festivals and touring productions, from its next-generation speaker components to its innovative and streamlined rigging system. Crucially, the A12’s redesigned Radiation Boundary Integrator (RDI) and advanced HF and LF sections delivered distortion-free audio across a wide area of coverage, which aligns perfectly with Movement's ultimate goal: to equally deliver massive, impactful sound to every person on the dance floor.

“We’ve always loved the crowd power from JBL products, but now the A12 adds so much more dimension,” said Snyder. “The clarity of the speakers are, I think, second to none. There's a different acoustical quality than you might find from other manufacturers; you may call it the JBL sound, but the truth is the clarity on the A12 is pristine in any application that you use in, including in corporate.”

Alongside the A12 at the Stargate, Red Bull and Pyramid stages—as well as the semi-indoor Underground stage—the JBL VTX B28 subwoofers delivered a deep, immersive bass response as low as 25 Hz––a must-have for bass-heavy music genres like techno and electronic. Equipped with Differential Drive woofers and a specially designed double-flared port for reduced turbulence and a clear bass response, the B28 also sports the same quick-rigging system found on the A12 for maximum sound with minimal setup. The Underground stage, a low-ceiling space intended for more aggressive and high-energy artists, most prominently featured the B28 alongside JBL VTX V25 and VT4888 speakers.

“We were able to take the VTX product and model it in our acoustic environments and come up with some designs that ended up being very impactful, not only from the standpoint of max SPL, but also in fidelity and getting the smaller equipment footprints in relation to the space that we had for the dance floor areas,” said Mike Fotias. “One of the things that I like about JBL, especially the VTX Series, is how each product is a complete engineered solution to the application. It's not just speakers, it's a turnkey scenario with amplified controllers and speakers right down to the way that the rigging works. It's not just about a good sounding speaker; it's the sum of an engineered system.”

Throughout each stage, the VTX speakers performed at the level that artists and audiences expect from Movement, providing unmatched sound, wide coverage, and high-but-clear output throughout the weekend. Snyder praised the speakers for their effective coverage and versatility, which proved crucial for the seamless transitions between artists with widely varied setups at each stage.

“We wanted to make sure that we knew where people were going to be and how to control the audio,” said Snyder. “JBL gave us that ability, with their aiming software and onsite support, to be able to confine audio, reach limits, and then to drop off so that each zone had its own coverage versus the audio all meeting in the middle and being chaotic.”

“The one moment that we look forward to every year when we do this festival is when we turn the sound systems on and start sound checking them because it's like, this is it,” said Sam Fotias. “And when you're in the sweet spot at each stage, you are completely enveloped. I got to really hand it to my brother and the team at Thunder for doing an incredible job with the amount of thought and engineering put into all of it.”