NORTHRIDGE, Calif. — HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, announced today that it will debut the BSS Soundweb OMNI 600, 300, and 200 Series AV-over-IP platforms at InfoComm 2026 (Booth #C8124), taking place June 17–19 in Las Vegas. These new additions mark the introduction of video capabilities within the BSS Soundweb OMNI platform and significantly expand the ecosystem with three new families of networked AV solutions.

OMNI Networked AV extends the OMNI platform into video, audio, and USB distribution over IP, representing the next phase in the evolution of the OMNI ecosystem. By combining purpose-built, high-performance hardware with a unified software environment, these products enable flexible system architectures while delivering consistent performance, simplified deployment, and scalable system design.

The OMNI Networked AV portfolio consists of three product ranges—the OMNI 600, 300, and 200 Series—each engineered to address specific application requirements, from high-performance, low-latency video to bandwidth-efficient streaming and network-routable USB connectivity. All products are configured, managed, and monitored through HARMAN’s AVX Suite software platform, enabling systems to be designed and operated as one cohesive environment.

The OMNI 600 Series delivers high-performance AV-over-IP for performance-critical environments, supporting 4K60 4:4:4 video, audio, control, and USB 2.0 over Gigabit Ethernet. Featuring Motion Wavelet Compression, the series preserves pristine image quality for fast motion video and highly detailed visual content with ultra low end to end latency. Virtual Network USB 2.0 Hub technology enables a single USB host to connect to devices at up to four remote OMNI 600 or 200 endpoints. Native support for Dante AV A and Dante audio, along with seamless switching, video wall processing, an open control API, and enterprise grade security, enables flexible system design, professional-quality AV presentations, and deep third party integration. OMNI 600 is ideally suited for mission critical applications in higher education, government, enterprise, and large venue environments.

The OMNI 300 Series is optimized for bandwidth-efficient AV distribution over shared LANs or WANs without compromising performance. Using H.264 or H.265 compression, OMNI 300 streams high-quality 4K60 4:4:4 video while simultaneously generating a secondary 1080p H.264 or H.265 video stream for third-party platforms and services. USB-C connectivity on both the encoder and decoder supports USB video and audio for recording and collaboration workflows, with conversion between Dante audio and USB AV (UAC and UVC). With support for Dante AV H interoperability, enterprise security features, and centralized management through AVX Suite, OMNI 300 is well suited for meeting spaces, hospitality venues, casinos, retail environments, and hybrid classrooms.

The OMNI 200 Series focuses on professional-grade USB 2.0 routing and extension over IP for collaboration centric environments. Built around Virtual Network USB 2.0 Hub technology, OMNI 200 allows a host PC to communicate with USB devices at up to four remote endpoints over standard Gigabit Ethernet, supporting data rates up to 480 Mbps. The series also provides two-channel Dante audio input and output at the USB host endpoint, enabling seamless USB audio conversion (UAC) for conferencing and collaboration workflows. OMNI 200 supports PoE+ powering, integrates with OMNI 600 systems, and includes enterprise network security features, making it ideal for conferencing rooms, collaboration spaces, and flexible AV environments where reliable USB connectivity is paramount.

Together, the OMNI 600, 300, and 200 Series form a cohesive networked AV solution within the broader OMNI platform. By combining purpose-built hardware, a unified software environment through AVX Suite, and support for standards-based technologies such as Dante, OMNI enables interoperable, scalable systems that are easier to design, deploy, and manage. This approach provides a clear path to support current application needs while allowing systems to evolve over time within a single, consistent platform.

Additional Details

For complete product information and specifications, please visit:

• Soundweb OMNI 600 Series (1G AV-over-IP)
• Soundweb OMNI 300 Series (H.26x AV-over-IP)
• Soundweb OMNI 200 Series (USB-over-IP)

NORTHRIDGE, Calif. — Harman Professional Solutions, the global leader in audio, video, control, and lighting systems, today announced it will debut BSS Soundweb OMNI Touch Panels at InfoComm 2026 (Booth #C8124), taking place June 17–19 in Las Vegas. The new touch panels extend the BSS Soundweb OMNI platform further into the user interface layer, delivering adaptable, app‑defined interaction as part of a unified, performance‑first AV system.

OMNI Touch Panels are introduced as an expansion of the BSS Soundweb OMNI ecosystem. The new OMNI Touch Panels add a flexible, app-driven user interface layer to the existing audio processing, control, networked video, and networked USB distribution capabilities of the OMNI platform.

Designed for enterprise environments, BSS OMNI Touch Panels are professional-grade, app-defined interfaces that adapt to different roles across installations to deliver a feature set tailored to the exact needs of each space. Each panel assumes a defined role through the selection of an App Persona, with pre-installed options supporting AVX Control, Web Kiosk applications, room scheduling, and more. The Any-App persona extends this further by enabling user installed applications, allowing a single panel type to support a wide range of use cases without dedicated hardware.

A range of form factors supports deployment across diverse environments, from conference rooms and collaboration spaces to hospitality, education, and government installations. BSS OMNI Touch Panels offer extensive mounting flexibility, with included hardware for wall, glass and VESA mounting, optional tabletop accessories, and slimline models optimized for in wall installation using standard single gang electrical boxes. This flexibility allows the panels to be consistently deployed across environments while adapting to the physical constraints of each space.

To support advanced interaction workflows, OMNI Touch Panels incorporate integrated speakers, microphones, and a front facing HD camera, enabling effective use of a wide range of voice, telephone, and video conferencing applications.

Any color side LEDs provide dynamic visual feedback and customization, supporting more than one million programmable colors for various applications, like room status indication, branding, or ambient design. Additional capabilities, including NFC, proximity sensors, and ambient light sensors, enable deeper integration with system logic and the surrounding environment.

All OMNI Touch Panels are configured, managed, and updated through AVX Suite, with an integrated setup wizard simplifying deployment and AVX Manager enabling centralized monitoring, configuration, and updates across large installations. Enterprise‑grade security technologies ensure the panels meet the requirements of IT‑managed networks and standards‑based infrastructures.

By combining professional‑grade hardware with innovative, intuitive, and infinitely flexible software, BSS Soundweb OMNI Touch Panels deliver a unified and adaptable control platform that scales across environments while maintaining a consistent user experience.

Additional Details and Availability

• For the latest details and availabilty of BSS OMNI Touch Panels, please sign up and opt-in for BSS product updates.
• For complete product information and specifications, please visit:
  • Soundweb OMNI Touch Panels

SINAGPORE, ASIA — HARMAN Professional Solutions, the global leader in audio, video, lighting and control systems, today announced the official opening of its newly revamped Experience Center in Singapore. Designed as a purpose‑built business Experience Center, the space demonstrates how HARMAN Professional solutions address customer needs across multiple vertical markets through real‑world applications and collaborative engagement. More than a traditional showroom, the space has been reimagined as a platform for solution exploration, co‑creation, and executive engagement, reflecting the evolving ways B2B organizations navigate technology amid increasing complexity in today’s business environment.

“As customer needs and decision‑making processes continue to evolve, we saw an oppurtunity to rethink how we engage,” said Nick Screen, VP & GM, HARMAN Professional Solutions, APAC. “Our new experience center immerses customers and partners in real-world scenarios—where they can touch, test, and co-create solutions tailored to their environments. It’s all about empowering more informed decisions with confidence. Bringing together JBL, FLUX:: and Martin in this space lets us showcase fully integrated, immersive experiences that truly demonstrate what our Professional Solutions portfolio can achieve.”

From Products to Business Outcomes

The revamped showroom brings together industry specific use cases, hands-on demonstrations and collaborative spaces that reflect how customers evaluate solutions today. Designed to support engagment from early discovery through validation and implementation, the Experience Center enables deeper, more meaningful experiences beyond traditional product displays.

Visitors can experience:

•             End-to-end solution scenarios across key industries

•             Interactive demonstrations aligned with real business challenges

•             Immersive, experiential showcase of audio and lighting technologies

•             Dedicated spaces for customer workshops and partner co-creation

•             Executive briefing areas for strategic discussions

“Experience led engagement has become essential in modern B2B environments,” said Atul Ghaisas, Director Channel Sales & Install Solutions, HARMAN Professional Solutions, APAC. “The Singapore Experience Center—along with our global network of HARMAN Professional Experience Centers—helps customers move beyond specifications to truly understand value, outcomes, and scalability, while strengthening collaboration across our global ecosystem.”

Built for Collaboration and Partnership

The Experience Center also plays a key role in partner engagement, providing a shared platform for joint solution design and integrated demonstrations. By bringing together customers, partners, and subject-matter experts in one space, HARMAN Professional aims to accelerate innovation and deliver more tailored business outcomes.

The opening ceremony welcomed customers, partners, media, and senior leadership and included guided tours highlighting how the Experience Center supports real-world decision-making and collaboration.

A Platform for Ongoing Engagement

Located at 108 Pasir Panjang Road, #02-08 Golden Agri Building Singapore 118535, the HARMAN Experience Center will host customer briefings, partner sessions and industry‑focused workshops throughout the year.

“This is a long‑term investment, not just a one-time launch” added Nick Screen. “We see this Experience Center as a living environment where ideas are tested, partnerships are strengthened and future‑ready solutions are shaped together with our customers.”

ISE 2026 (Stand #3F300) - BARCELONA — HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, today announced the debut of its updated JBL Professional Intellivox Active Digital Beam Shaping Column loudspeakers, now featuring Dante® networked audio support. The 13 newly introduced arrays serve as the next-generation replacements for all previous models in the Intellivox DSX, DS, and HP‑DS product families, offering enhanced performance and expanded capabilities. They deliver unmatched audio coverage control and exceptional intelligibility for sound reinforcement and public address in large or reverberant spaces such as transport hubs, houses of worship, parliaments, theatres, atriums, and museums.

Combining multiple high‑quality drivers with advanced digital signal processing and integrated multi‑channel amplifiers, the new models enable precise digital beam shaping. At the heart of Intellivox is JBL’s Digital Directivity Synthesis (DDS) Beam Shaping technology, which allows users to define exactly where sound should be projected—and where it should not. By tailoring coverage areas and minimizing reflections, DDS maximizes the direct‑to‑reverberant ratio, resulting in clear, intelligible sound even in the most challenging acoustic spaces.

The slim, unobtrusive design makes these column loudspeaker arrays ideal for installations where architectural preservation is critical. Enclosures require no mechanical aiming, are available in custom colors, and can even be recessed to blend seamlessly into buildings of all ages and styles. For integration flexibility, Intellivox supports Dante® and analog audio inputs alongside IP control connectivity. Built‑in redundancy and status monitoring ensure reliable, worry‑free operation in mission‑critical applications.

Each system includes an electronics module that provides network connectivity for control via free WinControl software, enabling easy setup and monitoring of Intellivox installations. For system designers, the DDA (Digital Directivity Analysis) software tool offers advanced simulation and optimization of directional behavior, as well as modeling of other loudspeakers within the system.

“These Intellivox columns bring enhanced versatility with Dante® audio networking,” said Steve Mathis, Senior Product Manager, Installed Acoustics, HARMAN Professional Solutions. “They continue to offer the sophisticated Intellivox sound and industry-leading beam shaping that designers and architects have trusted for years. We’re thrilled to bring these new models to market and see them elevate projects around the world.”

FEATURE HIGHLIGHTS

PRECISION BEAM CONTROL FOR ANY SPACE
JBL Intellivox Active Digital Beam Shaping Columns use Digital Directivity Synthesis (DDS) to precisely shape sound, delivering unlimited coverage possibilities and ensuring every listener experiences the utmost in clarity.

BALANCED FREQUENCY RESPONSE FOR MAXIMUM INTELLIGIBILITY
Advanced DSP algorithms balance frequency and SPL across listener planes, producing natural, intelligible sound even in acoustically challenging environments.

DISCREET DESIGN THAT PRESERVES ARCHITECTURE
Slim, unobtrusive enclosures blend seamlessly into any space. With custom colors and recessed installation options, Intellivox preserves architectural aesthetics while delivering powerful performance.

NETWORKED AUDIO WITH BUILT-IN RELIABILITY
With Dante® I/O, analog inputs, automatic switchover, and onboard monitoring, Intellivox integrates easily into networked systems while ensuring reliable, worry-free operation.

MODELS FOR EVERY VENUE
Available in a wide range of sizes, Intellivox provides the pattern control and SPL needed for spaces of every size—from intimate lecture halls to expansive arenas.

SMART CONTROL AND DESIGN TOOLS FOR PROFESSIONALS
Free WinControl software simplifies setup and monitoring, while DDA (Digital Directivity Analysis) empowers system designers to simulate, optimize, and fine-tune coverage with confidence.

ADDITIONAL DETAILS & SPECIFICATIONS:

• JBL Intellivox Active Digital Beam Shaping Column Loudspeakers
• JBL Installed Loudspeaker Portfolio

Integrated Systems Europe (#6Q900) – BARCELONA — As a lead up to ISE 2026, Martin Professional has introduced Martin Macula, a remote follow spot system designed to transform standard moving lights into precision-controlled tracking fixtures for performers and/or objects on stage. The system addresses long-standing operational, safety and ergonomic challenges associated with conventional follow spot workflows, particularly in live performance, touring and sporting environments.

Martin Macula replaces height-based follow spot operation with a ground-based control solution. From a single base station, operators can control one or multiple fixtures simultaneously with smooth, responsive movement, while maintaining a real-time visual reference that simulates being positioned directly at the fixture. This approach reduces operator fatigue, improves consistency and eliminates the safety risks associated with elevated platforms.

At the core of the system is a high-resolution fluid head encoder, paired with ergonomic handles, and an integrated intuitive touchscreen interface. The base station allows operators to manage pan, tilt and zoom movement directly, while additional parameters including dimming, color and frost can also be controlled locally when required. Configuration and setup are deliberately streamlined, allowing efficient operation with minimal training while maintaining professional-grade performance standards.

Movement control can be dynamically assigned, allowing movement or parameter control to transfer between console and base station on a cue-by-cue basis during a show. Fixtures fitted with cameras provide direct visual feedback to the operator, while additional fixtures without cameras can follow along in sync, enabling consistent multi-angle tracking of a performer or object. Presets and Fixture Banks can be created to adjust system behavior throughout a production, supporting flexible workflows across different show segments.

Macula works extremely well with the Martin MAC Ultra Performance, MAC Viper XIP and MAC Encore Two fixtures, which have been optimized for smooth and responsive movement. But, Macula is fully brand-agnostic, allowing any suitable moving head fixture to be used as a follow spot and fitted with a camera. Network infrastructure is intentionally simplified, with camera feeds and control data running over a single network and no dedicated video cabling required between fixtures and the base station.

The system also supports PosiStageNet output, allowing XYZ position data for performers or objects to be shared with third-party applications, opening integration opportunities for advanced tracking and automation workflows.

Martin Macula is intended for use across theaters, concerts/touring, broadcast, and sporting venues, where accurate tracking, reliability and operator safety are critical. By shifting follow spot operation to a remote, configurable and brand-agnostic platform, Martin Macula offers lighting teams a practical alternative to traditional follow spot installations while maintaining professional-grade control and performance standards.

NORTHRIDGE, Calif. — HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, today announced the launch of the Martin MAC One Beam, an ultra-compact beam moving head designed to deliver tight, high-intensity beams and captivating eye-candy effects in a compact, lightweight form without weight, size, or budget constraints.

At its core sits an automotive-grade LILI (Laser Illuminated Lighting Instrument) engine, engineered for precision and reliability. This compact light source produces an exceptionally sharp beam with an intensity of approximately 7 million candela—more than enough for bold aerial effects in live performance, broadcast, and event environments. MAC One Beam’s optimized output addresses growing industry concerns around eye safety, offering a responsible balance of performance and protection.

MAC One Beam excels in three key areas. First, its razor-sharp beam and fast CMY color mixing deliver dynamic, high-contrast effects with snappy responsiveness. Second, its compact footprint and sub-5 kg weight allow dense fixture deployment, unlocking bold looks while reducing transport costs and rigging complexity. Third, a mesmerizing three-dimensional backlight effect—featuring individually controllable light guides behind a bold 120 mm lens—adds visual depth and stage presence, even when the beam is idle.

Designed for versatility, MAC One Beam integrates seamlessly with its sibling, the MAC One wash fixture, using a unified ecosystem of rigging accessories, including the MAC One Fourbar and VDO Grid Mount System. This compatibility empowers designers to mix fixture types freely—combining beam and wash functionality within the same rig, layout, or flightcase—without sacrificing efficiency or cohesion.

“When we set out to design the MAC One Beam, our goal was simple: give lighting designers a compact and versatile fixture that sparks creativity without adding complexity,” said Wouter Verlinden, Product Manager for Creative LED, Lighting & Control, HARMAN Professional Solutions. “It was also built for stunning eye-candy effects. We can’t wait to see what fresh designs it will inspire for stages, studios, and live events.”

From low-ceiling installations to high-impact concert rigs, MAC One Beam empowers designers to think bigger, rig smarter, and elevate every show with compact brilliance and eye-catching flair.

FEATURE HIGHLIGHTS

• COMPACT FORM + MASSIVE IMPACT - MAC One Beam delivers an intense 7 Mcd beam from a fixture weighing under 5 kg, offering an exceptional output-to-size ratio. Its compact footprint enables dense deployment without compromising punch or precision.
• AUTOMOTIVE-GRADE LILI ENGINE + SAFER BEAM PERFORMANCE - Powered by an automotive-grade LILI engine, MAC One Beam produces a razor-sharp, high-contrast beam while alleviating growing industry concerns around eye safety, offering a responsible and unmatched balance of performance and protection.
• FAST CMY MIXING + SPLIT COLOR CREATIVITY - The fixture’s rapid CMY color mixing enables smooth transitions and vibrant split-color effects. Designers can achieve dynamic looks with snappy responsiveness and rich tonal control.
• THREE-DIMENSIONAL BACKLIGHT EYE-CANDY - Behind the bold 120 mm lens, 24 RGB LEDs create a captivating backlight effect with pixel control. Even when the beam is idle, MAC One Beam adds visual depth and stage presence.
• RIGGING VERSATILITY + SEAMLESS INTEGRATION - MAC One Beam shares accessories with the MAC One wash fixture, including the Fourbar and VDO Grid Mount System. Designers can mix fixture types freely, creating cohesive rigs, matrix layouts, and “walls of light” with ease.
• P3 CONTROL + STREAMLINED SETUP - In addition to DMX, Art-Net, and sACN, MAC One Beam supports Martin P3 control for simplified mapping, addressing, and video integration. Ideal for large deployments, it reduces setup time and expands creative possibilities.

ADDITIONAL DETAILS:

• MAC One Beam
• MAC One Fixture Family
• Martin Professional Product Portfolio

NORTHRIDGE, Calif. - HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, today announced the expansion of its JBL Professional SRX900 Series of powered scalable loudspeaker systems. The expansion includes 12-inch, 15-inch, and dual 12-inch point-source loudspeakers and a full range of supporting accessories. These models offer enhanced versatility, expanded deployment choices, and unprecedented integration across touring, rental, installation, and production environments.

Designed for a wide range of applications, the new SRX912M is an exceptionally compact, multi-purpose, two-way 12-inch powered loudspeaker that delivers remarkably high output for its size. It is ideal as a low-profile stage monitor, main PA, or front fill.

Optimally suited for use as a main PA or as a high-performance stage monitor, the new SRX915M is a high-output, multi-purpose, two-way 15-inch powered loudspeaker designed for applications that require greater low-frequency extension and increased headroom.

For applications requiring high output and precise directivity control, the new SRX922 is a compact, acoustically three-way, dual 12-inch powered point-source loudspeaker featuring a trapezoidal full-range enclosure. It is an ideal choice for high-output mains systems, side-fills, or as a high-performance point-source element within larger SRX900 deployments.

To ensure a completely modular platform that scales seamlessly, the new SRX900 models share consistent voicing, amplification, and DSP, and use common rigging and accessory options. A unified software platform ties the system together, creating a seamless, integrated ecosystem.

Also introduced is a new range of rigging, mounting, and transport accessories that support flexible deployment across fixed and portable applications. Offerings include horizontal and vertical U-brackets, array frames, truss clamps, transportation carts, and covers. From live performers to production companies to installed sound environments, SRX900 delivers the ideal balance of value, performance, and professional-grade capability.

“The SRX900 platform is continually evolving to meet the realities of today’s productions and users,” said George Georgallis, Senior Director of Product Management, Tour Sound at HARMAN Professional Solutions. “With this expansion, we’re extending that commitment even further—offering greater flexibility to achieve more, while maintaining the signature sound and trusted performance the SRX900 platform is known for. We couldn’t be prouder to support our users with new possibilities for expanded applications and growth.”

SRX900 SERIES HIGHLIGHTS

COMPLETE ECOSYSTEM
The SRX900 Series supports a wide range of use cases and includes line arrays, point-source models, and flyable or ground-stacked subwoofers. All models share consistent voicing, amplification and DSP, common rigging and accessory options, and a unified software platform that ties the system together.

SOUND QUALITY COMES FIRST
Drawing on transducer technologies developed for JBL’s flagship touring systems, SRX900 delivers clean, detailed sound typically associated with top-tier touring systems. SRX900 woofers are built on JBL’s proprietary Differential Drive dual-voice-coil, dual-gap design.

DIRECTIVITY CONTROL
Directivity has been in JBL Professional’s DNA for decades, with the company pioneering numerous technologies to perfect the science of controlling sound. A system that sounds great at front of house is good, but one that delivers excellent sound throughout the entire venue is truly exceptional.

SOPHISTICATED DSP
SRX900 models include a powerful DSP that provides all the tools needed to optimize and tune a system, including 24-band parametric EQ and 2,000 ms of delay. JBL’s proprietary Array Size Compensation (ASC) filter corrects for the tonal effects of different array sizes.

MAXIMUM PROTECTION
SRX900 incorporates JBL’s advanced LevelMax limiter suite, co-developed with Crown engineers for Crown’s I-Tech HD touring amplifiers. The result is consistent, reliable performance even under the most demanding operating conditions.

FUTURE-PROOF NETWORKING
SRX900 supports HARMAN’s HControl Ethernet protocol, which streamlines network setup and removes the need for complex IP addressing. And because HControl is built on standard networking protocols, systems can integrate cost-effective, off-the-shelf hardware such as Ethernet switches and Wi-Fi access points.

COMPLETE SOFTWARE ECOSYSTEM
SRX900’s robust software ecosystem integrates three powerful tools: JBL Venue Synthesis for 3D acoustic simulation, JBL Performance for system management, and ArrayLink for on-site deployment and configuration. Together, they offer a cohesive and efficient system control experience.

OPTIMUM POWERED PERFORMANCE
SRX900 products are self-powered, eliminating the need for external amplifiers and complicated amplifier racks. The powered architecture enables true plug-and-play operation, with products delivering consistent, great-sounding results right out of the box.

FAST, SAFE, EASY RIGGING
SRX900 Series line arrays feature a three-point rigging system, making suspending systems safe and easy, regardless of system size or user experience level. Point-source products include multiple QuickLink™ M10 attachment points for use with eyebolts and to attach to the comprehensive set of dedicated accessories.

PROFESSIONAL BUILD QUALITY, INSIDE AND OUT
SRX900 Series line arrays use reinforced composite enclosures, while the point-source models and subwoofers feature durable plywood cabinets. As with all JBL professional products, SRX900 models undergo rigorous testing, are built to last, and are backed by a comprehensive 5-year warranty.

ADDITIONAL DETAILS
For complete details and specifications, please visit:

• SRX912M – 12-inch Powered Multi-purpose Speaker
• SRX915M – 15-inch Powered Multi-purpose Speaker
• SRX922 – Dual 12-inch Powered Point-source Speaker
• SRX900 Series – Family of Powered Scalable Solutions

NORTHRIDGE, Calif. — HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, today announced the launch of its new AKG C-Series professional condenser microphones -crafted to elevate professional sound for today’s modern content creators. Backed by decades of acoustic innovation, these microphones deliver pristine clarity and capture every nuance - whether you're recording vocals, speech, instruments and other sound sources.

Designed with musicians, podcasters, YouTubers, and streamers in mind, the new C104, C114, and C151 models deliver AKG’s signature detail and clarity helping transform performances and interviews into compelling productions. Their broad frequency response ensures the full richness of every sonic element is faithfully preserved.

Each mic in the series features a precision-engineered, transformerless FET circuit that delivers an ultra-low noise floor and expansive dynamic range - providing exceptional audio capture across all source types.

With a refreshed, contemporary aesthetic that pays homage to AKG’s iconic design legacy, these microphones look as striking on camera as they sound during playback. And thanks to its intuitive design, the new AKG C-Series microphones integrate effortlessly into any modern workflow.

Sustainability is at the core of modern AKG C-Series industrial design as all of the mic bodies have been crafted from 100% recycled PIR metal and every aspect, from packaging to accessories, has been thoughtfully engineered for minimal environmental impact.

“When we set out to create the new AKG C-Series microphones, our goal was simple: let’s design a mic that creators would reach for every day - not just because it sounds incredible, but because it makes the process easier, smoother, and more inspiring,” said Philip Feinman, Product Manager, Recording and Broadcast, HARMAN Professional Solutions. “We listened closely to what musicians and content creators truly need, and we’re proud to deliver a microphone lineup that becomes a natural extension of the creative process.”

“AKG has a rich tradition in design innovation for microphones, headphones, and audio products. Our passion to lead helps drive our efforts to deliver world-class products and solutions for our customers, partners, and the global community of creative artists and individuals.” said Chris Hansen, Director, Recording and Broadcast, HARMAN Professional Solutions.

Whether you’re enhancing an existing setup or establishing a new workspace, the new AKG C-Series microphones deliver outstanding performances and user-friendly operation, setting a new benchmark for cost-effective, professional-grade audio capture that truly elevates the creative journey.

FEATURE HIGHLIGHTS:

PROFESSIONAL SOUND QUALITY
The new AKG C-Series microphones deliver wide dynamic range and ultra-low noise performance for audio clarity and definition. You can count on world-class audio fidelity, based on AKG’s legacy of innovative designs for microphones and audio products.

SIMPLIFIED OPERATION
Designed for instant creativity, the new AKG C-Series microphones are extremely easy to set up and use - simply plug in and start capturing. The user-friendly design makes these microphones perfect for content creators who demand ease-of-use without sacrificing professional-grade sound.

FLEXIBLE RECORDING OPTIONS
Featuring cardioid and multi-pattern designs, the new AKG C-Series microphones are easily adaptable to any audio environment. This flexible functionality supports professional grade audio capture of vocals, speech, instruments and other sound sources.

SUSTAINABILITY
The new AKG C-Series microphones are thoughtfully designed and engineered to enhance sustainability. The microphone bodies are made from 100% recycled PIR metal, and the accessories are designed with sustainability as a key priority. The packaging is engineered for minimal environmental impact and is fully recyclable.

ADDITIONAL DETAILS AND SPECIFICATIONS:

• AKG C104 Large Diaphragm Condenser Microphone
• AKG C114 Multi-Pattern Condenser Microphone
• AKG C151 Small Diaphragm Condenser Microphone
• AKG Professional Microphone Portfolio

LONDON, UK — The Royal Ballet and Opera has begun a comprehensive renewal of the Royal Opera House’s lighting infrastructure, installing 90 Martin MAC Viper XIP fixtures as the foundation of a new era for one of the world’s most demanding performance environments.

The Royal Opera House in London’s Covent Garden is home to The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House, and, as one of the world’s leading opera and ballet companies, presents a rigorous repertory schedule that requires rapid daily changeovers and a lighting system defined by technical excellence and longevity. The selection of MAC Viper XIP fixtures has led to Martin becoming an Official Partner of the Royal Ballet & Opera.

Led by George Townsend, Lighting Project Manager and Lighting Specialist in the venue’s Renewal Team, the project aims to successfully replace a 25-year-old lighting rig while maintaining the venue’s uninterrupted performance schedule and ensuring ongoing re-lighting consistency for returning productions - a significant technical and logistical achievement.

Meeting the Repertory Challenge

The Royal Opera House's operational demands are unique in scale and complexity. A typical day features a morning rehearsal of one opera or ballet, followed by an evening performance of an entirely different production, with complete set and lighting changeovers accomplished in a matter of hours. “It’s a bit like touring internally - we do it every day. It’s quite rare for a show to sit on stage for an entire day,” says Townsend.

“We have a fixed rig that is utilised across all productions,” he continues. “Designers obviously can supplement that with extra bars and lights on set pieces, but the aim is to try and light with the core rig as much as possible. For the efficient changeovers, and for when that show comes back, it's a quicker revival process.

“The Martin MAC Viper XIPs have given the Royal Opera House a lot more functionality and many more creative options so there is less need to supplement the rig, making the whole of our processes more efficient. And being modern reliable fixtures things are coming back on the stage exactly how they are expected to.”

The additional challenge was the overlap with productions lit with the previous system. "We have to bring in new systems while still doing productions, and a lot of productions overlap," explains Townsend. "We decided to create a new lighting rig that we could install under our old rig. Some shows would use the old one as we transitioned, and newer or revived shows would use the new one."

The phased approach allowed productions to transition gradually between systems, with the last show using the old rig—the ballet Alice's Adventures in Wonderland—completing its run in June before the old over stage system was de-rigged.

Selection Criteria

The fixture selection process involved an extensive shootout at the Backstage Centre in Purfleet, adjacent to the RBOs scenic workshops, bringing together not only internal lighting team members, lighting designers and broadcast lighting directors, but also peers from organisations including the National Theatre and English National Opera.

"Beyond performance, the bigger driver was policy and long-term support," Townsend explains. "Martin's UK support via Live Technology and directly was a big factor: provision of spare parts, MAC Attack training, and that sense of a robust service infrastructure."

Build quality proved a critical differentiator. "There's a very obvious difference between the MAC range and some competitors, in terms of how solid they feel," he notes. "Given how long we keep rigs in service - and how often shows come back after a couple of years - we needed something that would recreate designers' work consistently over a long period."

Jack Champion, acting Head of Lighting, agrees: “When we first saw the Martin MAC Viper XIP we knew it would have a place in our rig - the question was how many and where. The build quality combined with the form factor and the output were a formidable combination.”

An unexpected benefit emerged during the project: the IP-rated fixtures have significantly improved maintenance workflows. "IP rating actually wasn't on our original wish list at all, but we ended up with an almost all-IP overhead rig, and it's made a huge difference," Townsend reveals. "It's not about weather - this is an indoor house - but dust and general environmental contamination."

Virtual Opera House Drives Selection

A key element in the project was an extensive visualisation process that preceded physical installation by over a year. "Although it looks like we've 'just' put the lights in, we've actually been working with them for over a year in the virtual Opera House," Townsend explains.

This visualisation is essential for the venue's workflow, allowing lighting designers to build their shows before arriving on stage. The accuracy of the fixture models in the virtual environment was critical to providing designer confidence in the process.

“The anti-shutter collision technology within the MAC Viper XIP proved difficult for the RBO to replicate in Visualisation, with the fixture being in control of this function and not the lighting console.” notes Townsend. “Martin collaborated with the RBO to bring a classic viper framing option to the Viper XIP holding regular development calls between the RBO and Henrick Kristensen (Product Manager, Martin Professional) and product testing sessions with the Lighting Control and Visualisation Team at the RBO. Martin’s support and determination to implement these firmware changes has been invaluable.”

Comprehensive Rig Design

The new installation distributes 90 MAC Viper fixtures across multiple positions: overhead light bridges carrying the bulk of moving lights above the stage, proscenium positions with cross-bridge mounting and two runs of fixtures, front of house positions integrated with the venue's historic architecture, including candelabras on circle fronts and fixtures under circle fronts across three levels, dome positions at the top of the auditorium shooting down to the stage.

The overhead trusses feature a consistent fixture pattern including 4 x MAC Viper XIPs acting as ballet pipe ends at both ends of each truss pointing across stage.

Operational Impact

The new rig has transformed the venue's capabilities and efficiency. "With the old rig, designers ended up rigging lots of extra trusses and fixtures because the core rig just didn't give them what they needed," Townsend reflects. "With the new rig and the Vipers, there's far more functionality and choice, and things come back to the stage how they expect them to."

The efficiency gains are tangible: "We can’t magically add 'more hours' in the day, but the time we do have is now used far more efficiently."

Performance Proven

For Martin Professional, the RBO partnership reflects both confidence in the technical capability of its fixtures and a genuine alignment with customer needs.

Chris Munn, UK, Ireland & Italy Account Manager, Martin Professional, comments, “Our partnership with the Royal Ballet and Opera goes beyond the proven performance of the MAC Viper XIP and the close collaboration that shaped its integration—it’s about enabling artistry in one of the world’s most iconic venues. The MAC Viper XIP brings the flexibility and precision needed for long-term demands to highlight the incredible talent. Seeing these fixtures become the backbone of every production is a testament to Martin’s commitment to supporting creative excellence and a powerful validation of what this partnership enables.”

Now fully operational across all productions, the new rig has demonstrated its reliability in one of the world's most demanding environments.

"The MAC Viper XIPs are really solid units," Townsend concludes. “I'd describe them as a thorough workhorse fixture: solid, consistent, and now in use across all our productions."

NORTHRIDGE, Calif. — HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, today announced the debut of MAC Encore Two to redefine performance lighting for contemporary stage, broadcast, and touring environments. Whether illuminating the subtle contours of a performer’s face or painting a set with true to life color, MAC Encore Two captures skin tones and scenic detail with breathtaking realism, making it an essential fixture when every nuance matters.

As a single, fully featured evolution of the Martin MAC Encore lineup, MAC Encore Two maximizes ROI and streamlines inventory management for installed and rental applications alike. It features a proprietary 760 W LED white light engine, producing 21,000 lumens—a 75% increase over its predecessor. This translates to advanced optical performance and a beautifully rich 5,600 K neutral white output.

Despite its remarkable output, MAC Encore Two is quieter than the MAC Encore, making it ideal for noise sensitive theater, broadcast, and corporate environments. Selectable output levels with noise optimization ensure performance can be tailored to demanding acoustic conditions.

With native TM 30, TLCI, and CRI scores over 90 and all boosted to 95 with the integrated Spectrum Enhancement Filter, MAC Encore Two’s enhanced CMY system produces saturated colors with superior depth, especially in amber and yellow, while maintaining pure white on the blackbody curve.

The 1:10 zoom system (5°–54°) and 150 mm front lens deliver up to six times the intensity of MAC Encore at its narrowest beam, making MAC Encore Two a perfect choice for long throw applications. High lumen maintenance, razor sharp optics, and precise gobo framing ensure consistent, high definition projection.

MAC Encore Two includes two gobo wheels (7 rotating and 11 static) plus a dual frost system available throughout the zoom range. Highly responsive and smooth pan/tilt movement and high resolution, low level dimming make it ideal as a key light or automated followspot. Despite its expanded capabilities, MAC Encore Two’s 36 kg footprint integrates easily into existing rigs, offering a best in class weight to size to output ratio. An array of control options includes DMX, Art Net, sACN, and Martin P3.

"From the outset, our vision for the MAC Encore Two was to create a fixture that goes beyond being a great light. We wanted it to be a storyteller - shaping and delivering light with intention," said Henrik Kristensen, Product Manager, Stage Lighting, HARMAN Professional Solutions. "It’s purpose‑built to be the fixture designers can count on… to naturally and beautifully reveal every facet of every detail and do more than ever expected, whether on stage or on camera. This is that fixture, and we couldn’t be more proud to bring it to the market.”

Whether the moment calls for powerful lumen output, precision color rendering, or whisper quiet operation, MAC Encore Two doesn’t just light the stage—it elevates the story, helping creators shape atmosphere, emotion, and unforgettable experiences.

FEATURE HIGHLIGHTS

HIGH OUTPUT WHITE LIGHT ENGINE
Delivers 21,000 lumens - a 75% increase over MAC Encore - with a preferred 5,600 K neutral white output and stable color temperature for demanding stage, studio, and broadcast environments.

EXCEPTIONAL COLOR ACCURACY
With native TM 30, TLCI, and CRI scores over 90 and all boosted to 95 with the integrated Spectrum Enhancement Filter, MAC Encore Two delivers rich, natural rendering across the full color spectrum.

EXPANSIVE ZOOM AND INTENSITY
1:10 zoom range (5°–54°) with a 150 mm front lens and up to six times the intensity at narrow compared to MAC Encore, making it ideal for follow spot use and long throw applications.

RAZOR SHARP OPTICAL SYSTEM
High definition optics maintain uniform beam focus across the entire projection field for precise gobo projection and stunning theatrical effects.

FULL FEATURED EFFECTS PACKAGE
Two gobo wheels (7 rotating and 11 static) plus a redesigned CMY system for saturated color mixing, dual frost with heavy frost available across the entire zoom range, and light recycling for increased output with gobos.

QUIET PERFORMANCE MODES
Ultra low noise operation - even quieter than MAC Encore - with selectable output/noise optimization modes, making MAC Encore Two ideal for the most demanding noise sensitive theater, TV, and corporate environments.

ADDITIONAL DETAILS & SPECIFICATIONS:

• Martin MAC Encore Two
• Martin Professional Product Portfolio