Integrated Systems Europe (#6Q900) – BARCELONA — As a lead up to ISE 2026, Martin Professional has introduced Martin Macula, a remote follow spot system designed to transform standard moving lights into precision-controlled tracking fixtures for performers and/or objects on stage. The system addresses long-standing operational, safety and ergonomic challenges associated with conventional follow spot workflows, particularly in live performance, touring and sporting environments.

Martin Macula replaces height-based follow spot operation with a ground-based control solution. From a single base station, operators can control one or multiple fixtures simultaneously with smooth, responsive movement, while maintaining a real-time visual reference that simulates being positioned directly at the fixture. This approach reduces operator fatigue, improves consistency and eliminates the safety risks associated with elevated platforms.

At the core of the system is a high-resolution fluid head encoder, paired with ergonomic handles, and an integrated intuitive touchscreen interface. The base station allows operators to manage pan, tilt and zoom movement directly, while additional parameters including dimming, color and frost can also be controlled locally when required. Configuration and setup are deliberately streamlined, allowing efficient operation with minimal training while maintaining professional-grade performance standards.

Movement control can be dynamically assigned, allowing movement or parameter control to transfer between console and base station on a cue-by-cue basis during a show. Fixtures fitted with cameras provide direct visual feedback to the operator, while additional fixtures without cameras can follow along in sync, enabling consistent multi-angle tracking of a performer or object. Presets and Fixture Banks can be created to adjust system behavior throughout a production, supporting flexible workflows across different show segments.

Macula works extremely well with the Martin MAC Ultra Performance, MAC Viper XIP and MAC Encore Two fixtures, which have been optimized for smooth and responsive movement. But, Macula is fully brand-agnostic, allowing any suitable moving head fixture to be used as a follow spot and fitted with a camera. Network infrastructure is intentionally simplified, with camera feeds and control data running over a single network and no dedicated video cabling required between fixtures and the base station.

The system also supports PosiStageNet output, allowing XYZ position data for performers or objects to be shared with third-party applications, opening integration opportunities for advanced tracking and automation workflows.

Martin Macula is intended for use across theaters, concerts/touring, broadcast, and sporting venues, where accurate tracking, reliability and operator safety are critical. By shifting follow spot operation to a remote, configurable and brand-agnostic platform, Martin Macula offers lighting teams a practical alternative to traditional follow spot installations while maintaining professional-grade control and performance standards.

NORTHRIDGE, Calif. — HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, today announced the launch of the Martin MAC One Beam, an ultra-compact beam moving head designed to deliver tight, high-intensity beams and captivating eye-candy effects in a compact, lightweight form without weight, size, or budget constraints.

At its core sits an automotive-grade LILI (Laser Illuminated Lighting Instrument) engine, engineered for precision and reliability. This compact light source produces an exceptionally sharp beam with an intensity of approximately 7 million candela—more than enough for bold aerial effects in live performance, broadcast, and event environments. MAC One Beam’s optimized output addresses growing industry concerns around eye safety, offering a responsible balance of performance and protection.

MAC One Beam excels in three key areas. First, its razor-sharp beam and fast CMY color mixing deliver dynamic, high-contrast effects with snappy responsiveness. Second, its compact footprint and sub-5 kg weight allow dense fixture deployment, unlocking bold looks while reducing transport costs and rigging complexity. Third, a mesmerizing three-dimensional backlight effect—featuring individually controllable light guides behind a bold 120 mm lens—adds visual depth and stage presence, even when the beam is idle.

Designed for versatility, MAC One Beam integrates seamlessly with its sibling, the MAC One wash fixture, using a unified ecosystem of rigging accessories, including the MAC One Fourbar and VDO Grid Mount System. This compatibility empowers designers to mix fixture types freely—combining beam and wash functionality within the same rig, layout, or flightcase—without sacrificing efficiency or cohesion.

“When we set out to design the MAC One Beam, our goal was simple: give lighting designers a compact and versatile fixture that sparks creativity without adding complexity,” said Wouter Verlinden, Product Manager for Creative LED, Lighting & Control, HARMAN Professional Solutions. “It was also built for stunning eye-candy effects. We can’t wait to see what fresh designs it will inspire for stages, studios, and live events.”

From low-ceiling installations to high-impact concert rigs, MAC One Beam empowers designers to think bigger, rig smarter, and elevate every show with compact brilliance and eye-catching flair.

FEATURE HIGHLIGHTS

• COMPACT FORM + MASSIVE IMPACT - MAC One Beam delivers an intense 7 Mcd beam from a fixture weighing under 5 kg, offering an exceptional output-to-size ratio. Its compact footprint enables dense deployment without compromising punch or precision.
• AUTOMOTIVE-GRADE LILI ENGINE + SAFER BEAM PERFORMANCE - Powered by an automotive-grade LILI engine, MAC One Beam produces a razor-sharp, high-contrast beam while alleviating growing industry concerns around eye safety, offering a responsible and unmatched balance of performance and protection.
• FAST CMY MIXING + SPLIT COLOR CREATIVITY - The fixture’s rapid CMY color mixing enables smooth transitions and vibrant split-color effects. Designers can achieve dynamic looks with snappy responsiveness and rich tonal control.
• THREE-DIMENSIONAL BACKLIGHT EYE-CANDY - Behind the bold 120 mm lens, 24 RGB LEDs create a captivating backlight effect with pixel control. Even when the beam is idle, MAC One Beam adds visual depth and stage presence.
• RIGGING VERSATILITY + SEAMLESS INTEGRATION - MAC One Beam shares accessories with the MAC One wash fixture, including the Fourbar and VDO Grid Mount System. Designers can mix fixture types freely, creating cohesive rigs, matrix layouts, and “walls of light” with ease.
• P3 CONTROL + STREAMLINED SETUP - In addition to DMX, Art-Net, and sACN, MAC One Beam supports Martin P3 control for simplified mapping, addressing, and video integration. Ideal for large deployments, it reduces setup time and expands creative possibilities.

ADDITIONAL DETAILS:

• MAC One Beam
• MAC One Fixture Family
• Martin Professional Product Portfolio

NORTHRIDGE, Calif. - HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, today announced the expansion of its JBL Professional SRX900 Series of powered scalable loudspeaker systems. The expansion includes 12-inch, 15-inch, and dual 12-inch point-source loudspeakers and a full range of supporting accessories. These models offer enhanced versatility, expanded deployment choices, and unprecedented integration across touring, rental, installation, and production environments.

Designed for a wide range of applications, the new SRX912M is an exceptionally compact, multi-purpose, two-way 12-inch powered loudspeaker that delivers remarkably high output for its size. It is ideal as a low-profile stage monitor, main PA, or front fill.

Optimally suited for use as a main PA or as a high-performance stage monitor, the new SRX915M is a high-output, multi-purpose, two-way 15-inch powered loudspeaker designed for applications that require greater low-frequency extension and increased headroom.

For applications requiring high output and precise directivity control, the new SRX922 is a compact, acoustically three-way, dual 12-inch powered point-source loudspeaker featuring a trapezoidal full-range enclosure. It is an ideal choice for high-output mains systems, side-fills, or as a high-performance point-source element within larger SRX900 deployments.

To ensure a completely modular platform that scales seamlessly, the new SRX900 models share consistent voicing, amplification, and DSP, and use common rigging and accessory options. A unified software platform ties the system together, creating a seamless, integrated ecosystem.

Also introduced is a new range of rigging, mounting, and transport accessories that support flexible deployment across fixed and portable applications. Offerings include horizontal and vertical U-brackets, array frames, truss clamps, transportation carts, and covers. From live performers to production companies to installed sound environments, SRX900 delivers the ideal balance of value, performance, and professional-grade capability.

“The SRX900 platform is continually evolving to meet the realities of today’s productions and users,” said George Georgallis, Senior Director of Product Management, Tour Sound at HARMAN Professional Solutions. “With this expansion, we’re extending that commitment even further—offering greater flexibility to achieve more, while maintaining the signature sound and trusted performance the SRX900 platform is known for. We couldn’t be prouder to support our users with new possibilities for expanded applications and growth.”

SRX900 SERIES HIGHLIGHTS

COMPLETE ECOSYSTEM
The SRX900 Series supports a wide range of use cases and includes line arrays, point-source models, and flyable or ground-stacked subwoofers. All models share consistent voicing, amplification and DSP, common rigging and accessory options, and a unified software platform that ties the system together.

SOUND QUALITY COMES FIRST
Drawing on transducer technologies developed for JBL’s flagship touring systems, SRX900 delivers clean, detailed sound typically associated with top-tier touring systems. SRX900 woofers are built on JBL’s proprietary Differential Drive dual-voice-coil, dual-gap design.

DIRECTIVITY CONTROL
Directivity has been in JBL Professional’s DNA for decades, with the company pioneering numerous technologies to perfect the science of controlling sound. A system that sounds great at front of house is good, but one that delivers excellent sound throughout the entire venue is truly exceptional.

SOPHISTICATED DSP
SRX900 models include a powerful DSP that provides all the tools needed to optimize and tune a system, including 24-band parametric EQ and 2,000 ms of delay. JBL’s proprietary Array Size Compensation (ASC) filter corrects for the tonal effects of different array sizes.

MAXIMUM PROTECTION
SRX900 incorporates JBL’s advanced LevelMax limiter suite, co-developed with Crown engineers for Crown’s I-Tech HD touring amplifiers. The result is consistent, reliable performance even under the most demanding operating conditions.

FUTURE-PROOF NETWORKING
SRX900 supports HARMAN’s HControl Ethernet protocol, which streamlines network setup and removes the need for complex IP addressing. And because HControl is built on standard networking protocols, systems can integrate cost-effective, off-the-shelf hardware such as Ethernet switches and Wi-Fi access points.

COMPLETE SOFTWARE ECOSYSTEM
SRX900’s robust software ecosystem integrates three powerful tools: JBL Venue Synthesis for 3D acoustic simulation, JBL Performance for system management, and ArrayLink for on-site deployment and configuration. Together, they offer a cohesive and efficient system control experience.

OPTIMUM POWERED PERFORMANCE
SRX900 products are self-powered, eliminating the need for external amplifiers and complicated amplifier racks. The powered architecture enables true plug-and-play operation, with products delivering consistent, great-sounding results right out of the box.

FAST, SAFE, EASY RIGGING
SRX900 Series line arrays feature a three-point rigging system, making suspending systems safe and easy, regardless of system size or user experience level. Point-source products include multiple QuickLink™ M10 attachment points for use with eyebolts and to attach to the comprehensive set of dedicated accessories.

PROFESSIONAL BUILD QUALITY, INSIDE AND OUT
SRX900 Series line arrays use reinforced composite enclosures, while the point-source models and subwoofers feature durable plywood cabinets. As with all JBL professional products, SRX900 models undergo rigorous testing, are built to last, and are backed by a comprehensive 5-year warranty.

ADDITIONAL DETAILS
For complete details and specifications, please visit:

• SRX912M – 12-inch Powered Multi-purpose Speaker
• SRX915M – 15-inch Powered Multi-purpose Speaker
• SRX922 – Dual 12-inch Powered Point-source Speaker
• SRX900 Series – Family of Powered Scalable Solutions

NORTHRIDGE, Calif. — HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, today announced the launch of its new AKG C-Series professional condenser microphones -crafted to elevate professional sound for today’s modern content creators. Backed by decades of acoustic innovation, these microphones deliver pristine clarity and capture every nuance - whether you're recording vocals, speech, instruments and other sound sources.

Designed with musicians, podcasters, YouTubers, and streamers in mind, the new C104, C114, and C151 models deliver AKG’s signature detail and clarity helping transform performances and interviews into compelling productions. Their broad frequency response ensures the full richness of every sonic element is faithfully preserved.

Each mic in the series features a precision-engineered, transformerless FET circuit that delivers an ultra-low noise floor and expansive dynamic range - providing exceptional audio capture across all source types.

With a refreshed, contemporary aesthetic that pays homage to AKG’s iconic design legacy, these microphones look as striking on camera as they sound during playback. And thanks to its intuitive design, the new AKG C-Series microphones integrate effortlessly into any modern workflow.

Sustainability is at the core of modern AKG C-Series industrial design as all of the mic bodies have been crafted from 100% recycled PIR metal and every aspect, from packaging to accessories, has been thoughtfully engineered for minimal environmental impact.

“When we set out to create the new AKG C-Series microphones, our goal was simple: let’s design a mic that creators would reach for every day - not just because it sounds incredible, but because it makes the process easier, smoother, and more inspiring,” said Philip Feinman, Product Manager, Recording and Broadcast, HARMAN Professional Solutions. “We listened closely to what musicians and content creators truly need, and we’re proud to deliver a microphone lineup that becomes a natural extension of the creative process.”

“AKG has a rich tradition in design innovation for microphones, headphones, and audio products. Our passion to lead helps drive our efforts to deliver world-class products and solutions for our customers, partners, and the global community of creative artists and individuals.” said Chris Hansen, Director, Recording and Broadcast, HARMAN Professional Solutions.

Whether you’re enhancing an existing setup or establishing a new workspace, the new AKG C-Series microphones deliver outstanding performances and user-friendly operation, setting a new benchmark for cost-effective, professional-grade audio capture that truly elevates the creative journey.

FEATURE HIGHLIGHTS:

PROFESSIONAL SOUND QUALITY
The new AKG C-Series microphones deliver wide dynamic range and ultra-low noise performance for audio clarity and definition. You can count on world-class audio fidelity, based on AKG’s legacy of innovative designs for microphones and audio products.

SIMPLIFIED OPERATION
Designed for instant creativity, the new AKG C-Series microphones are extremely easy to set up and use - simply plug in and start capturing. The user-friendly design makes these microphones perfect for content creators who demand ease-of-use without sacrificing professional-grade sound.

FLEXIBLE RECORDING OPTIONS
Featuring cardioid and multi-pattern designs, the new AKG C-Series microphones are easily adaptable to any audio environment. This flexible functionality supports professional grade audio capture of vocals, speech, instruments and other sound sources.

SUSTAINABILITY
The new AKG C-Series microphones are thoughtfully designed and engineered to enhance sustainability. The microphone bodies are made from 100% recycled PIR metal, and the accessories are designed with sustainability as a key priority. The packaging is engineered for minimal environmental impact and is fully recyclable.

ADDITIONAL DETAILS AND SPECIFICATIONS:

• AKG C104 Large Diaphragm Condenser Microphone
• AKG C114 Multi-Pattern Condenser Microphone
• AKG C151 Small Diaphragm Condenser Microphone
• AKG Professional Microphone Portfolio

LONDON, UK — The Royal Ballet and Opera has begun a comprehensive renewal of the Royal Opera House’s lighting infrastructure, installing 90 Martin MAC Viper XIP fixtures as the foundation of a new era for one of the world’s most demanding performance environments.

The Royal Opera House in London’s Covent Garden is home to The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House, and, as one of the world’s leading opera and ballet companies, presents a rigorous repertory schedule that requires rapid daily changeovers and a lighting system defined by technical excellence and longevity. The selection of MAC Viper XIP fixtures has led to Martin becoming an Official Partner of the Royal Ballet & Opera.

Led by George Townsend, Lighting Project Manager and Lighting Specialist in the venue’s Renewal Team, the project aims to successfully replace a 25-year-old lighting rig while maintaining the venue’s uninterrupted performance schedule and ensuring ongoing re-lighting consistency for returning productions - a significant technical and logistical achievement.

Meeting the Repertory Challenge

The Royal Opera House's operational demands are unique in scale and complexity. A typical day features a morning rehearsal of one opera or ballet, followed by an evening performance of an entirely different production, with complete set and lighting changeovers accomplished in a matter of hours. “It’s a bit like touring internally - we do it every day. It’s quite rare for a show to sit on stage for an entire day,” says Townsend.

“We have a fixed rig that is utilised across all productions,” he continues. “Designers obviously can supplement that with extra bars and lights on set pieces, but the aim is to try and light with the core rig as much as possible. For the efficient changeovers, and for when that show comes back, it's a quicker revival process.

“The Martin MAC Viper XIPs have given the Royal Opera House a lot more functionality and many more creative options so there is less need to supplement the rig, making the whole of our processes more efficient. And being modern reliable fixtures things are coming back on the stage exactly how they are expected to.”

The additional challenge was the overlap with productions lit with the previous system. "We have to bring in new systems while still doing productions, and a lot of productions overlap," explains Townsend. "We decided to create a new lighting rig that we could install under our old rig. Some shows would use the old one as we transitioned, and newer or revived shows would use the new one."

The phased approach allowed productions to transition gradually between systems, with the last show using the old rig—the ballet Alice's Adventures in Wonderland—completing its run in June before the old over stage system was de-rigged.

Selection Criteria

The fixture selection process involved an extensive shootout at the Backstage Centre in Purfleet, adjacent to the RBOs scenic workshops, bringing together not only internal lighting team members, lighting designers and broadcast lighting directors, but also peers from organisations including the National Theatre and English National Opera.

"Beyond performance, the bigger driver was policy and long-term support," Townsend explains. "Martin's UK support via Live Technology and directly was a big factor: provision of spare parts, MAC Attack training, and that sense of a robust service infrastructure."

Build quality proved a critical differentiator. "There's a very obvious difference between the MAC range and some competitors, in terms of how solid they feel," he notes. "Given how long we keep rigs in service - and how often shows come back after a couple of years - we needed something that would recreate designers' work consistently over a long period."

Jack Champion, acting Head of Lighting, agrees: “When we first saw the Martin MAC Viper XIP we knew it would have a place in our rig - the question was how many and where. The build quality combined with the form factor and the output were a formidable combination.”

An unexpected benefit emerged during the project: the IP-rated fixtures have significantly improved maintenance workflows. "IP rating actually wasn't on our original wish list at all, but we ended up with an almost all-IP overhead rig, and it's made a huge difference," Townsend reveals. "It's not about weather - this is an indoor house - but dust and general environmental contamination."

Virtual Opera House Drives Selection

A key element in the project was an extensive visualisation process that preceded physical installation by over a year. "Although it looks like we've 'just' put the lights in, we've actually been working with them for over a year in the virtual Opera House," Townsend explains.

This visualisation is essential for the venue's workflow, allowing lighting designers to build their shows before arriving on stage. The accuracy of the fixture models in the virtual environment was critical to providing designer confidence in the process.

“The anti-shutter collision technology within the MAC Viper XIP proved difficult for the RBO to replicate in Visualisation, with the fixture being in control of this function and not the lighting console.” notes Townsend. “Martin collaborated with the RBO to bring a classic viper framing option to the Viper XIP holding regular development calls between the RBO and Henrick Kristensen (Product Manager, Martin Professional) and product testing sessions with the Lighting Control and Visualisation Team at the RBO. Martin’s support and determination to implement these firmware changes has been invaluable.”

Comprehensive Rig Design

The new installation distributes 90 MAC Viper fixtures across multiple positions: overhead light bridges carrying the bulk of moving lights above the stage, proscenium positions with cross-bridge mounting and two runs of fixtures, front of house positions integrated with the venue's historic architecture, including candelabras on circle fronts and fixtures under circle fronts across three levels, dome positions at the top of the auditorium shooting down to the stage.

The overhead trusses feature a consistent fixture pattern including 4 x MAC Viper XIPs acting as ballet pipe ends at both ends of each truss pointing across stage.

Operational Impact

The new rig has transformed the venue's capabilities and efficiency. "With the old rig, designers ended up rigging lots of extra trusses and fixtures because the core rig just didn't give them what they needed," Townsend reflects. "With the new rig and the Vipers, there's far more functionality and choice, and things come back to the stage how they expect them to."

The efficiency gains are tangible: "We can’t magically add 'more hours' in the day, but the time we do have is now used far more efficiently."

Performance Proven

For Martin Professional, the RBO partnership reflects both confidence in the technical capability of its fixtures and a genuine alignment with customer needs.

Chris Munn, UK, Ireland & Italy Account Manager, Martin Professional, comments, “Our partnership with the Royal Ballet and Opera goes beyond the proven performance of the MAC Viper XIP and the close collaboration that shaped its integration—it’s about enabling artistry in one of the world’s most iconic venues. The MAC Viper XIP brings the flexibility and precision needed for long-term demands to highlight the incredible talent. Seeing these fixtures become the backbone of every production is a testament to Martin’s commitment to supporting creative excellence and a powerful validation of what this partnership enables.”

Now fully operational across all productions, the new rig has demonstrated its reliability in one of the world's most demanding environments.

"The MAC Viper XIPs are really solid units," Townsend concludes. “I'd describe them as a thorough workhorse fixture: solid, consistent, and now in use across all our productions."

NORTHRIDGE, Calif. — HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, today announced the debut of MAC Encore Two to redefine performance lighting for contemporary stage, broadcast, and touring environments. Whether illuminating the subtle contours of a performer’s face or painting a set with true to life color, MAC Encore Two captures skin tones and scenic detail with breathtaking realism, making it an essential fixture when every nuance matters.

As a single, fully featured evolution of the Martin MAC Encore lineup, MAC Encore Two maximizes ROI and streamlines inventory management for installed and rental applications alike. It features a proprietary 760 W LED white light engine, producing 21,000 lumens—a 75% increase over its predecessor. This translates to advanced optical performance and a beautifully rich 5,600 K neutral white output.

Despite its remarkable output, MAC Encore Two is quieter than the MAC Encore, making it ideal for noise sensitive theater, broadcast, and corporate environments. Selectable output levels with noise optimization ensure performance can be tailored to demanding acoustic conditions.

With native TM 30, TLCI, and CRI scores over 90 and all boosted to 95 with the integrated Spectrum Enhancement Filter, MAC Encore Two’s enhanced CMY system produces saturated colors with superior depth, especially in amber and yellow, while maintaining pure white on the blackbody curve.

The 1:10 zoom system (5°–54°) and 150 mm front lens deliver up to six times the intensity of MAC Encore at its narrowest beam, making MAC Encore Two a perfect choice for long throw applications. High lumen maintenance, razor sharp optics, and precise gobo framing ensure consistent, high definition projection.

MAC Encore Two includes two gobo wheels (7 rotating and 11 static) plus a dual frost system available throughout the zoom range. Highly responsive and smooth pan/tilt movement and high resolution, low level dimming make it ideal as a key light or automated followspot. Despite its expanded capabilities, MAC Encore Two’s 36 kg footprint integrates easily into existing rigs, offering a best in class weight to size to output ratio. An array of control options includes DMX, Art Net, sACN, and Martin P3.

"From the outset, our vision for the MAC Encore Two was to create a fixture that goes beyond being a great light. We wanted it to be a storyteller - shaping and delivering light with intention," said Henrik Kristensen, Product Manager, Stage Lighting, HARMAN Professional Solutions. "It’s purpose‑built to be the fixture designers can count on… to naturally and beautifully reveal every facet of every detail and do more than ever expected, whether on stage or on camera. This is that fixture, and we couldn’t be more proud to bring it to the market.”

Whether the moment calls for powerful lumen output, precision color rendering, or whisper quiet operation, MAC Encore Two doesn’t just light the stage—it elevates the story, helping creators shape atmosphere, emotion, and unforgettable experiences.

FEATURE HIGHLIGHTS

HIGH OUTPUT WHITE LIGHT ENGINE
Delivers 21,000 lumens - a 75% increase over MAC Encore - with a preferred 5,600 K neutral white output and stable color temperature for demanding stage, studio, and broadcast environments.

EXCEPTIONAL COLOR ACCURACY
With native TM 30, TLCI, and CRI scores over 90 and all boosted to 95 with the integrated Spectrum Enhancement Filter, MAC Encore Two delivers rich, natural rendering across the full color spectrum.

EXPANSIVE ZOOM AND INTENSITY
1:10 zoom range (5°–54°) with a 150 mm front lens and up to six times the intensity at narrow compared to MAC Encore, making it ideal for follow spot use and long throw applications.

RAZOR SHARP OPTICAL SYSTEM
High definition optics maintain uniform beam focus across the entire projection field for precise gobo projection and stunning theatrical effects.

FULL FEATURED EFFECTS PACKAGE
Two gobo wheels (7 rotating and 11 static) plus a redesigned CMY system for saturated color mixing, dual frost with heavy frost available across the entire zoom range, and light recycling for increased output with gobos.

QUIET PERFORMANCE MODES
Ultra low noise operation - even quieter than MAC Encore - with selectable output/noise optimization modes, making MAC Encore Two ideal for the most demanding noise sensitive theater, TV, and corporate environments.

ADDITIONAL DETAILS & SPECIFICATIONS:

• Martin MAC Encore Two
• Martin Professional Product Portfolio

KRISTIANSAND, NORWAY - HARMAN Professional showcased the brilliance of Martin Professional and JBL Professional technologies at Palmesus 2025, Scandinavia’s largest beach festival. With thousands dancing on the beach alongside unforgettable sets by world-class DJs, including Kygo, Fisher, Stormzy, Chase & Status and more, Martin lighting and JBL Professional audio systems delivered clarity, impact and a captivating experience across multiple stages.

The Palmesus main stage featured 40 MAC Viper XIPs, 34 MAC Aura XIPs, 32 MAC Aura Raven XIPs and a pair of P3-275 System Controllers, complemented by 155 VDO Sceptron 20s, 40 VDO Sceptron 10s and a P3-300 System Controller at front of house. The Cupra stage, where DJs performed interstitial sets in between performances, added 54 VDO Atomic Dot WRMs, 36 VDO Atomic Dot CLDs, six MAC Aura XIPs and a P3-150 System Controller, paired with JBL VTX A12 line arrays and VTX G28 subwoofers for high-output, rider-ready audio.

Nordic Rentals provided the full technical package for the main stage, ensuring reliable performance throughout the weekend. “Our house lighting at Palmesus has always included Martin Professional fixtures - they’re workhorses, and it’s important to have a lamp that works every time,” said Nordic Rentals Production Manager Oscar Olsson.

Lighting Designers were pleased with the rig provided. “I’ve been working with Martin my whole career. Now whenever I see Martin included in the rig, I know I have some good tools to work with,” shared Marius Flatnes, Lighting Designer for Kamelen. “After doing two shows at Palmesus, I am really pleasantly surprised by the MAC Aura Raven. Its punch, colors, speed.. it’s so snappy which is not what I expected from this big of a fixture.”

As the sun set on Kristiansand’s beachfront and thousands of festivalgoers filled the site, Martin Professional and JBL Professional solutions proved their strength in both creative vision and technical execution. By combining cutting-edge lighting fixtures and powerful, yet flexible sound systems, HARMAN Professional underscored its role in shaping the future of live production.

View the video Case Study here!

PLASA (Stand C22) - LONDON HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, today introduced its Martin Professional ELP MANET 8f LED Stage and Studio Fresnel. Inspired by Shakespearean theater and timeless storytelling, it’s innovative design blends classic tungsten warmth with high-efficiency six-color LED performance. The result is brilliant light, precise color rendering, and soft-edge projection for versatile stage and studio use.

ELP MANET 8f debuts Martin’s next-generation light engine, featuring six LEDs—red, green, blue, amber, lime, and cyan—to generate a broad, refined color palette. Boasting near perfect scores of TM-30 Rf of 95 and a CRI of 98, the fixture delivers true-to-life color throughout the blackbody curve. Its fully linear color-temperature control, spanning 1,850 K to 12,500 K in 50 K increments, promises consistent, flawless reproduction without sacrificing output or quality.

A carefully engineered 8-inch (200 mm) Fresnel lens delivers signature soft-edge fades that are free of artifacts, while the 9°–50° zoom system offers precise lumen control. Standard anti-reflective barn doors enable exact beam shaping and eliminate glare for ultra-smooth, even coverage. Despite delivering over 13,000 lumens of output, the ELP MANET 8f’s sub-30 dB noise rating makes it ideal even for the quietest theaters, operas, and broadcast studios.

ELP MANET 8f’s integrated manual zoom and optional pole-operated yoke set a new benchmark for rapid, effortless fixture re-rigging. A single-encoder interface plus onboard NFC ensures fast, intuitive control, while the Martin Companion Mobile App delivers wireless diagnostics and configuration with ease.

“From our first sketch to the final design, this fixture is a true blend of theatrical lighting heritage with the latest lighting innovations,” said Mark Buss, Product Manager, Entertainment Lighting, HARMAN Professional Solutions. “We were also proud to design it with valued input from our global LD community to ensure a natural extension of their creativity. Whether you’re designing a subtle wash for an intimate monologue or unleashing bold, dynamic looks for a broadcast set, the new ELP MANET 8f lets you focus on crafting your story with light—nothing more, nothing less.”

Highlights:

• Precision Color Accuracy - The innovative six-color light engine featuring red, green, blue, amber, lime, and cyan LEDs, delivers a best-in-class TM-30 Rf of 95 and a CRI score of 98 for consistent, vibrant color from saturated primaries to delicate pastels across the full color-temperature spectrum.
• Signature Soft-Edge Fresnel Lens - A carefully designed 8-inch (200 mm) Fresnel lens produces a uniform wash with a classic soft edge while 13,000 lumens and a 9°-50° zoom range allow this fixture to excel in narrow throws and wide washes.
• Fully Linear Color-Temperature Control - Precise adjustment from 1,850 K to 12,500 K in 50 K increments ensures seamless transitions between warm and cool whites as well as fully tracking the black body line via the onboard calibration system
• Flexible Installation & Control - Smooth and precise manual zoom control via the onboard dual controls coupled with the optional pole operated yoke set allows for quick and easy focusing from stage to studio, intuitive menu and control options, including NFC compatibility with the Martin Companion Mobile app that simplifies setup and operation.

Additional Details, Specifications and Downloads:

• ELP MANET 8f LED Stage and Studio Fresnel
• ELP Static LED Fixture Family
• Martin’s Companion Mobile App
• Martin’s Complete Product Portfolio

NORTHRIDGE, Calif. — HARMAN Professional Solutions, the global leader in audio, video, control, and lighting systems, today announced the launch of the JBL Professional Control 400 Standard Coverage Series and Control 400 Premium Coverage Series Ceiling Speakers. Comprised of 15 new models, these series join the Control 400 Enhanced Coverage Series, introduced earlier this year, completing the Control 400 Ceiling Speaker Family’s 21-model lineup. Together, these variants provide options at three distinct tiers of coverage consistency and price, enabling integrators to curate the optimal solution to support any commercial application.

The JBL Control 400 Family represents the next generation of excellence from the most trusted name in loudspeakers. Building on the legacy of the iconic JBL Control 10, Control 20, and Control 40 ceiling speaker families, the Control 400 Standard Coverage Series, Enhanced Coverage Series, and Premium Coverage Series share many core features, including superior sonic performance, unmatched reliability, helpful installation features, and a contemporary design aesthetic. Additionally:

• The Standard Coverage Series is designed to provide high-performance audio at affordable price points.
• The Enhanced Coverage Series includes JBL’s Coplanar Radiation Boundary Integrator™ (CRBI™) to provide a more even frequency response throughout the coverage area and strikes an elegant performance to cost balance between the Standard and Premium models.
• The flagship Premium Coverage Series leverages JBL’s proprietary conical Radiation Boundary Integrator® (RBI™) technology to achieve the utmost coverage consistency for installations where audio quality and clarity is paramount.

Staying true to JBL's commitment to installer-friendly design, all Control 400 Series models boast thoughtfully engineered installation features to enhance safety, efficiency, and repeatability. Terminal covers allow for convenient top or side cable entry and the reliable captive dogear design accommodates a variety of ceiling thicknesses, ensuring versatility for any environment. Most options include transformers to support both 70V/100V and low impedance applications.

All models embrace design elements tailored for modern interiors. The included full-face magnetic grille is paintable for seamless integration into any decor, while available black and square grilles provide added customization.

“Expanding the Control 400 Family with two new series and 15 additional models brings our total to 21 options,” said Steve Mathis, Senior Product Manager, Installed Audio, HARMAN Professional Solutions. “Our goal is to provide incredible sound quality in products that are reliable, easy to install, and adaptable to any design vision. These additions not only broaden our offering but also simplify setup and elevate aesthetics - giving integrators the tools they need for outstanding audio installations.”

With options at various sizes and price points, the new JBL Control 400 Standard Coverage, Enhanced Coverage, and Premium Coverage families all deliver best-in-class sonic performance, elegant design, extreme reliability, and installer-focused features to enhance corporate spaces, hospitality venues, or anywhere in between.

FEATURE HIGHLIGHTS:

• Solutions For Every Environment - Three distinct product ranges allow you to choose what’s best for your specific application. No matter which series you choose, every model provides high-quality JBL sound, unmatched reliability, helpful installation features, and a contemporary design aesthetic.
• Efficient, Flexible Installation - Control 400 Series ceiling speakers are engineered to improve installation repeatability and safety while reducing installation time. Terminal covers provide both top and side cable entry ports, allowing installers to choose the best option for each application. The captive dogear design is extremely reliable and works with a wide range of ceiling thicknesses.
• Refined, Modern Aesthetics - Full-face magnetic grilles provide a sleek, refined look to meet the sensibilities of modern architectural design. They are equipped with safety tethers, which mount right into the baffle to ensure peace of mind. Optional black and square accessory grilles are also available to empower added design versatility.
• Premium Sonic Performance - Featuring JBL’s proprietary Radiation Boundary Integrator® (RBI™) technology, the Premium Coverage Series achieves constant directivity coverage, ensuring that listeners can enjoy an especially smooth sound character that remains extremely consistent, clear, and pleasant across a wide coverage area.

ADDITIONAL DETAILS AND SPECIFICATIONS:

• Control 400 Series Ceiling Speakers
  • Standard Coverage Series
  • Enhanced Coverage Series
  • Premium Coverage Series
• Explore the JBL Professional Installed Audio Product Portfolio

SYDNEY — HARMAN Professional Solutions, the global leader in audio, video, lighting, and control systems, today announced the consolidation of its audio and video control distribution in Australia. Effective 1 August 2025, MadisonAV will become the exclusive distributor for the complete HARMAN Professional audio and video portfolio across the region. Distribution of the Martin Professional lighting portfolio will continue with Show Technology.

Consolidation of distribution in the region reflects HARMAN Professional’s heavy investment in software platforms including JBL Venue Synthesis (3D acoustic simulation software) and FLUX:: which enables the delivery of outstanding immersive experiences for a wide variety of applications including content creation, live production, installed sound and post-production. In addition, HARMAN continues to invest and innovate in its install portfolio with new products and platforms including AMX MUSE, BSS Soundweb OMNI, AVX software suite and refreshes of the JBL Control Contractor range.

“The HARMAN Professional portfolio is evolving in a way that R&D investments in new hardware and software platforms are reshaping the portfolio and our business,” said Amar Subash, Vice President and General Manager, HARMAN Professional APAC. “As we look to the future there are great benefits in consolidating distribution as it will allow us to leverage the full potential of the investments made to the portfolio and I’m pleased that MadisonAV will carry us forward.”

Furthermore, as a part of its commitment to customer engagement and channel support, MadisonAV is investing in a national HARMAN Experience Centre, a purpose-built space where our dealers and their customers can explore and evaluate the full spectrum of HARMAN Professional audio solutions. From the portable JBL EON, PRX and IRX PA systems, through to the SRX900 series and the premium JBL VTX line array system, the Experience Centre will allow visitors to experience these products in a controlled, acoustically optimised environment. The facility will also feature a FLUX:: immersive audio space, enabling customers to engage with advanced spatial audio production and live mixing workflows in real-time. Serving as both a demonstration hub and a training resource, the Experience Centre will support resellers, installers, consultants and end-users with hands-on learning, system comparisons, and application-based sessions that span music, performance, AV integration and broadcast.

“We’re proud to deepen our relationship with HARMAN and deliver even more value to the Australian market,” said Ken Kyle, CEO of MadisonAV. “We’ve enjoyed five strong years supporting the growth of HARMAN’s install AV and tour products, so it’s rewarding for our team to be entrusted with this expanded portfolio. We’ll provide consistent access to the full HARMAN Professional portfolio, backed by expert technical support, local stock, a national repair centre, and responsive customer service. Our investment and recruitment of a specialised retail team will complement our well-established capabilities, ensuring that whether you’re fitting out a venue or supplying a portable PA system, you’ll get the same trusted experience and support from MadisonAV.” 

Subash goes on to acknowledge CMI Music & Audio’s work they have done on behalf of the HARMAN brands over the years.  

“Initially starting as the distributor for AKG, CMI went on to represent our full retail portfolio, powered line arrays and tunnel solutions,” he said. “The CMI team have ensured that a wide variety of customers from musicians, content creators, rental companies, venues and even road tunnels have benefited from investing in our iconic brands and technologies. We would like to express our thanks and gratitude to the entire CMI team for all their contributions and for the mutual success that we shared together.”

“Our association with HARMAN over the last few years has been a significant driver in the success of the CMI Music & Audio distribution business,” said Fiona Brown, Managing Director, CMI Music & Audio. “Synergistically our businesses are evolving towards differing paths, and we were glad to be part of HARMAN brands journey up to this point. The consolidation to MadisonAV is one that aligns with our long term business strategy, and we are confident in MadisonAV’s ability to take the brands forward in our market. We would like to emphatically thank all HARMAN customers and dealers for their support and to HARMAN for the honour of representing their leading brands in Australia.”

HARMAN, CMI Music and Audio and MadisonAV are working together to ensure a smooth transition and to ensure that customers can continue to excite audiences and elevate experiences with HARMAN’s iconic brands. At the upcoming Integrate show in Sydney, HARMAN Professional will be showcasing the latest additions to their install portfolio as well as presenting an immersive experience powered by JBL Professional and FLUX:: Spat Revolution.